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IMDbPro

Radley Metzger(1929-2017)

  • Director
  • Writer
  • Additional Crew
IMDbProStarmeterSee rank
One of the pioneers of American adult cinema, Radley Metzger was born in New York. He first made a name in erotic cinema by importing and distributing European erotic films, including the Danish sex film I, a Woman (1965). At around the same time Metzger decided to direct his own features, which quickly became renowned for their strong sense of composition, high-tone locations and edgy, erotic subject matter. Among his best-known softcore features are Therese and Isabelle (1968), Carmen, Baby (1967) and Camille 2000 (1969), all of which were shot in Europe. Other notable Metzger films of the period include The Lickerish Quartet (1970), Woman of the Year (1973) and Score (1973). Once hardcore porn came to dominate the US adult film market after Deep Throat (1972), Metzger directed several highly-regard explicit features using the pseudonym "Henry Paris," including The Private Afternoons of Pamela Mann (1974), Naked Came the Stranger (1975), The Opening of Misty Beethoven (1976) and Barbara Broadcast (1977).
BornJanuary 21, 1929
DiedMarch 31, 2017(88)
BornJanuary 21, 1929
DiedMarch 31, 2017(88)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Awards
    • 6 wins & 1 nomination

Known for

The Opening of Misty Beethoven
6.8
  • Director(as Henry Paris)
  • 1976
Honor Blackman, Olivia Hussey, Edward Fox, Michael Callan, Wendy Hiller, Wilfrid Hyde-White, Beatrix Lehmann, Carol Lynley, Daniel Massey, and Peter McEnery in The Cat and the Canary (1978)
The Cat and the Canary
5.6
  • Director
  • 1978
Dark Odyssey (1961)
Dark Odyssey
6.3
  • Director
  • 1961
Naked Came the Stranger
6.1
  • Director(as Henry Paris)
  • 1975

Credits

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IMDbPro

Director

  • The Fantasies of Miss Jones (1984)
    The Fantasies of Miss Jones
    • Director
    • 1984
  • Aphrodesia's Diary
    • Director (uncredited)
    • 1983
  • World of Henry Paris
    • Director (as Henry Paris)
    • 1981
  • The Tale of Tiffany Lust
    • Director (uncredited)
    • 1981
  • Honor Blackman, Olivia Hussey, Edward Fox, Michael Callan, Wendy Hiller, Wilfrid Hyde-White, Beatrix Lehmann, Carol Lynley, Daniel Massey, and Peter McEnery in The Cat and the Canary (1978)
    The Cat and the Canary
    • Director
    • 1978
  • Maraschino Cherry
    • Director (as Henry Paris)
    • 1977
  • Barbara Broadcast
    • Director (as Henry Paris)
    • 1977
  • The Opening of Misty Beethoven
    • Director (as Henry Paris)
    • 1976
  • Mary Mendum in The Image (1975)
    The Image
    • Director
    • 1975
  • Naked Came the Stranger
    • Director (as Henry Paris)
    • 1975
  • The Private Afternoons of Pamela Mann
    • Director (as Henry Paris)
    • 1974
  • Score
    • Director
    • 1973
  • Christiane Krüger in Woman of the Year (1973)
    Woman of the Year
    • Director
    • 1973
  • Silvana Venturelli in The Lickerish Quartet (1970)
    The Lickerish Quartet
    • Director
    • 1970
  • Danièle Gaubert in Camille 2000 (1969)
    Camille 2000
    • Director
    • 1969

Writer

  • Misty Beethoven the Musical!
    • characters (as Henry Paris)
    • Video
    • 2004
  • Barbara Broadcast Too!
    • characters (as Henry Paris)
    • Video
    • 2003
  • The Fantasies of Miss Jones (1984)
    The Fantasies of Miss Jones
    • screenplay
    • 1984
  • The Tale of Tiffany Lust
    • script (as Jake Barnes)
    • 1981
  • Honor Blackman, Olivia Hussey, Edward Fox, Michael Callan, Wendy Hiller, Wilfrid Hyde-White, Beatrix Lehmann, Carol Lynley, Daniel Massey, and Peter McEnery in The Cat and the Canary (1978)
    The Cat and the Canary
    • screenplay
    • 1978
  • Maraschino Cherry
    • screenplay (as Jake Barnes)
    • 1977
  • Barbara Broadcast
    • screenplay (as Jake Barnes)
    • 1977
  • The Opening of Misty Beethoven
    • screenplay (as Jake Barnes)
    • 1976
  • Mary Mendum in The Image (1975)
    The Image
    • screenplay (as Jake Barnes)
    • 1975
  • Naked Came the Stranger
    • screenplay (as Jake Barnes)
    • 1975
  • The Private Afternoons of Pamela Mann
    • story (as Jake Barnes)
    • 1974
  • Silvana Venturelli in The Lickerish Quartet (1970)
    The Lickerish Quartet
    • story "Hide and Seek"
    • 1970
  • Dark Odyssey (1961)
    Dark Odyssey
    • Writer
    • 1961

Additional Crew

  • Alexandra
    • on-set consultant (uncredited)
    • 1983
  • The Libertine (1968)
    The Libertine
    • presenter
    • 1968
  • Sexus (1965)
    Sexus
    • director: new footage for 1965 American release (uncredited)
    • 1965
  • The Fourth Sex (1963)
    The Fourth Sex
    • director: new footage for 1962 American release (uncredited)
    • 1963
  • The Warped Ones (1960)
    The Warped Ones
    • presenter
    • 1960
  • Agnès Laurent, Armand Mestral, and Vicente Parra in Soft Skin on Black Silk (1959)
    Soft Skin on Black Silk
    • director: new footage for 1963 American release (uncredited)
    • 1959
  • Mademoiselle Strip-tease (1957)
    Mademoiselle Strip-tease
    • english version
    • 1957
  • The Twilight Girls (1957)
    The Twilight Girls
    • director: new footage for 1959 American release
    • 1957
  • Brigitte Bardot, Jean-Louis Trintignant, Curd Jürgens, and Christian Marquand in ...And God Created Woman (1956)
    ...And God Created Woman
    • dubbing synchronization editor (uncredited)
    • 1956
  • Guerrilla Girl (1953)
    Guerrilla Girl
    • production assistant
    • 1953

Personal details

Edit
  • Alternative names
    • Jake Barnes
  • Born
    • January 21, 1929
    • New York City, New York, USA
  • Died
    • March 31, 2017
    • Manhattan, New York City, New York, USA(undisclosed)
  • Spouse
    • ?(1 child)
  • Publicity listings
    • 2 Articles

Did you know

Edit
  • Trivia
    Co-founder, with Ava Leighton, of Audubon Films.
  • Quotes
    [on why he started his own production/distribution company] Ordinarily a producer sees possibly 10% of what his pictures bring in, because the income has to be cut into so many small pieces. In my case I didn't have to realize as much on my pictures because I saw 100% of what was coming in, and I didn't have an enormous bureaucratic structure to support.

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