A group of young, scrappy and brilliant writers penned some of the most accomplished dramas presented live during the Golden Age of TV in the 1950s. Writers such as Paddy Chayefsky, J.P. Miller (“The Days of Wine and Roses”), Reginald Rose (“Twelve Angry Men”), Tad Mosel (“The Haven”), James Costigan (“Little Moon of Alban”) and Horton Foote.
But the most influential and best-known of these writers was Rod Serling, who became a superstar as not only creator and writer but host of the landmark 1959-1964 CBS sci-fi/fantasy anthology series “The Twilight Zone,” for which he won two Emmys for his writing. “The Twilight Zone” and even his less successful 1970-73 NBC anthology series “Night Gallery” has overshadowed his earlier work for which he won three Emmys for his writing.
Among his earliest work was the 1953 “Kraft Television Theatre” presentation “A Long Time Till Dawn,” which gave a 22-year-old James Dean...
But the most influential and best-known of these writers was Rod Serling, who became a superstar as not only creator and writer but host of the landmark 1959-1964 CBS sci-fi/fantasy anthology series “The Twilight Zone,” for which he won two Emmys for his writing. “The Twilight Zone” and even his less successful 1970-73 NBC anthology series “Night Gallery” has overshadowed his earlier work for which he won three Emmys for his writing.
Among his earliest work was the 1953 “Kraft Television Theatre” presentation “A Long Time Till Dawn,” which gave a 22-year-old James Dean...
- 6/4/2020
- by Susan King
- Gold Derby
Asolo Repertory Theatre will proudly present the world premiere of Knoxville in spring 2020. This moving and innovative musical will feature lyrics by Lynn Ahrens, music by Stephen Flaherty and will be adapted and directed by Frank Galati, reuniting the dynamic Tony Award-winning creative team behind Ragtime, one of the most beloved musicals of all time. Knoxville is based on James Agee's Pulitzer Prize-winning autobiographical novel A Death in the Family and based, in part, on the play All The Way Home by Tad Mosel.
- 2/6/2019
- by BroadwayWorld TV
- BroadwayWorld.com
A few weeks ago HBO and then CBS announced that they would launch stand-alone online services in U.S. in 2015. Before that, Netflix had made known that it would start producing features, crushing theatrical release windows once and for all, after it had contributed to the change of the patterns of attention and the way TV series are made by releasing its House of Cards episodes all at once, as a 13-hour movie. ‘Now the real shakeout begins’, wrote Ted Hope in Hollywood Reporter. ‘We are witnessing the march from once lucrative legacy practices built around titles to a new focus on community.’ Michael Wolff, writing also in the Hollywood Reporter, disagrees: ‘Streaming services from the two networks don’t signal television’s capitulation to Netflix and the web; it’s actually the opposite, as the medium expands yet again to gobble up more revenue.’ And in that sense, he says,...
- 11/5/2014
- by Christina Kallas
- Hope for Film
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