Dino Parks(I)
- Cinematographer
- Camera and Electrical Department
- Production Manager
Dino Parks is a cinematographer of feature films and television, most recently the Taylor Sheridan projects Yellowstone, 1883 and Lawmen: Bass Reeves.
For many years he served as 2nd unit DP on feature films and series, including multiple projects with directors Peter Berg (Friday Night Lights, Lone Survivor) and Bill Condon (Dreamgirls, Beauty and the Beast). Other notable directors Dino has worked with include David Fincher, George C. Wolfe, Ava DuVernay, Rob Cohen, Wayne Wang, and Gail Lerner. Dino was the cinematographer of many independent films including Visioneers and Reunion.
Prior to his career behind the camera, he worked as a chief lighting technician with award-winning Directors of Photography including Don Burgess, Russell Carpenter, Steven Fierberg and Fred Murphy, as well as directors Charles Burnett, Paul Bartel, Mary Lambert, and Jan de Bont.
Dino has worked as a cameraman across the US, and around the world, throughout Europe, the UK, and locations across Africa and Asia. He is grateful to have had opportunities to help filmmakers tell stories from a broad spectrum of cultures and creators.
For many years he served as 2nd unit DP on feature films and series, including multiple projects with directors Peter Berg (Friday Night Lights, Lone Survivor) and Bill Condon (Dreamgirls, Beauty and the Beast). Other notable directors Dino has worked with include David Fincher, George C. Wolfe, Ava DuVernay, Rob Cohen, Wayne Wang, and Gail Lerner. Dino was the cinematographer of many independent films including Visioneers and Reunion.
Prior to his career behind the camera, he worked as a chief lighting technician with award-winning Directors of Photography including Don Burgess, Russell Carpenter, Steven Fierberg and Fred Murphy, as well as directors Charles Burnett, Paul Bartel, Mary Lambert, and Jan de Bont.
Dino has worked as a cameraman across the US, and around the world, throughout Europe, the UK, and locations across Africa and Asia. He is grateful to have had opportunities to help filmmakers tell stories from a broad spectrum of cultures and creators.
