In today’s film news roundup, “40 Years of Rocky” gets a release date, Pierce Brosnan’s “The King’s Daughter” finds a home and the 2020 Lower East Side Film Festival unveils its programming.
Release Date
Virgil Films has set a June 9 digital release date for the documentary “40 Years of Rocky,” which chronicles the behind-the-scenes journey of the 1976 classic “Rocky.”
Sylvester Stallone recounts the making of the film — which won the 1977 Academy Award for Best Picture — through rare home movies filmed by “Rocky” director John G. Avildsen. The documentary was written and directed by Derek Wayne Johnson, who served as co-producer with Chris May of Cinema 83 Entertainment and Cinema 83 Documentary Films.
“The documentary is a golden nugget for ‘Rocky’ fans and casual audiences alike,” said Johnson. “It’s a charming piece of film history narrated by Rocky himself, Sylvester Stallone, and will give audiences an intimate, and at times, emotional experience.
Release Date
Virgil Films has set a June 9 digital release date for the documentary “40 Years of Rocky,” which chronicles the behind-the-scenes journey of the 1976 classic “Rocky.”
Sylvester Stallone recounts the making of the film — which won the 1977 Academy Award for Best Picture — through rare home movies filmed by “Rocky” director John G. Avildsen. The documentary was written and directed by Derek Wayne Johnson, who served as co-producer with Chris May of Cinema 83 Entertainment and Cinema 83 Documentary Films.
“The documentary is a golden nugget for ‘Rocky’ fans and casual audiences alike,” said Johnson. “It’s a charming piece of film history narrated by Rocky himself, Sylvester Stallone, and will give audiences an intimate, and at times, emotional experience.
- 6/2/2020
- by Dave McNary
- Variety Film + TV
Chicago – Time travel “what ifs” and cruise ships has never been so close to our current reality, and it’s present in the unique film “Same Boat,” directed by Chris Roberti and co-written by Roberti with Josh Itzkowitz. The VOD release for the film is Tuesday, April 7th.
The very funny, warm and philosophical film presupposes a future in which time traveler assassins come back to save their world – which has been devastated through bad decisions in the past – by killing the people who will affect that devastation. James and his “intern” Mot (Julie Schonberg) are assigned the hit on Lilly (Tonya Glanz), who is vacationing on a cruise ship, but complications arise when James begins to have feelings for the target. The whip-sharp comedy is full of authentic laughs derived from the plot and situations, plus the always weird vibe of a cruise ship. Roberti and Itzkowitz have fashioned...
The very funny, warm and philosophical film presupposes a future in which time traveler assassins come back to save their world – which has been devastated through bad decisions in the past – by killing the people who will affect that devastation. James and his “intern” Mot (Julie Schonberg) are assigned the hit on Lilly (Tonya Glanz), who is vacationing on a cruise ship, but complications arise when James begins to have feelings for the target. The whip-sharp comedy is full of authentic laughs derived from the plot and situations, plus the always weird vibe of a cruise ship. Roberti and Itzkowitz have fashioned...
- 4/6/2020
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Of the seismic cultural shifts that occurred in 2016, Hollywood finally embracing web series may be a tiny victory. But try telling that to the creators (a more succinct term for the writer-director-producer-actors thriving in the medium) who have turned their scrappy little web series into big-budget television deals.
Like Issa Rae, creator of the long-running YouTube series “Awkward Black Girl,” who just received a Golden Globe nomination for her new HBO show, “Insecure,” a vibrant comedy that puts black women front and center.
Or Ben Sinclair and Katja Blichfeld, the married co-creators who successfully adapted their web series, “High Maintenance,” for HBO. The stoner comedy that raised the bar for online storytelling preserved its indie charm; the six episodes of elegantly-woven vignettes held true to the spirit of the first online episodes, as each revealed little surprises in the lives of believable characters.
Read More: The Best of 2016: IndieWire...
Like Issa Rae, creator of the long-running YouTube series “Awkward Black Girl,” who just received a Golden Globe nomination for her new HBO show, “Insecure,” a vibrant comedy that puts black women front and center.
Or Ben Sinclair and Katja Blichfeld, the married co-creators who successfully adapted their web series, “High Maintenance,” for HBO. The stoner comedy that raised the bar for online storytelling preserved its indie charm; the six episodes of elegantly-woven vignettes held true to the spirit of the first online episodes, as each revealed little surprises in the lives of believable characters.
Read More: The Best of 2016: IndieWire...
- 12/21/2016
- by Jude Dry
- Indiewire
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