Actress | Producer | Writer
Never planned to be an actress until she saw Robert Bresson's Au Hasard Balthazar (1966) in which a donkey's cute performance filled her with acting aspirations.
I'm basically interested in identity, and I still find fascinating the question, "How do we identify ourselves, and how do we settle into other people's expectations for our identity?"
Often works with Derek Jarman, 'Wes Anderson' and Luca Guadagnino
Katherine Matilda Swinton
London, England, UK
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