Sydney, May 27 (Ians) Ahead of a highly-anticipated five-match Ashes starting from June 16 at Edgbaston, Australia’s Test captain Pat Cummins said the side has some unfinished business to complete after the 2019 series ended in a 2-2 draw.
While Australia managed to retain the urn in the 2019 series, they missed out on the opportunity to win the Ashes in England for the first time since 2001. In that series, Australia had the lead twice, but England bounced back every time to equal the scoreline.
The Cummins-led Australia will kickstart their long trip to England by playing the World Test Championship final against India at The Oval from June 7-11, before gearing up to play in the Ashes against a high-flying England led by Ben Stokes.
“I felt like we left something behind in 2019. I think the second and third Tests were both ours to win and, obviously, the fifth Test we didn’t play particularly well.
While Australia managed to retain the urn in the 2019 series, they missed out on the opportunity to win the Ashes in England for the first time since 2001. In that series, Australia had the lead twice, but England bounced back every time to equal the scoreline.
The Cummins-led Australia will kickstart their long trip to England by playing the World Test Championship final against India at The Oval from June 7-11, before gearing up to play in the Ashes against a high-flying England led by Ben Stokes.
“I felt like we left something behind in 2019. I think the second and third Tests were both ours to win and, obviously, the fifth Test we didn’t play particularly well.
- 5/27/2023
- by Agency News Desk
- GlamSham
Never Tear Us Apart: The Untold Story of Inxs tunes up in Melbourne next week with a cast that blends newcomers and seasoned pros.
The four-hour miniseries for the Seven Network is the first drama from Shine Australia. The screenplay by Justin Monjo and Dave Warner is billed as the uncensored story of the iconic band.s rise to the top of the international charts and the aftermath of dealing with frontman Michael Hutchence.s death in 1997.
The band.s manager Cm Murphy is an executive producer and the filmmakers have been granted full access to their archive of music, photography and stories.
Luke Arnold, who stars as Long John Silver in the Michael Bay-produced pirate adventure series Black Sails for the Us network Starz, will play Hutchence. A graduate of the Western Australian Academy of Performing Arts, his credits include McLeod's Daughters, Rush, Rescue: Special Ops, City Homicide...
The four-hour miniseries for the Seven Network is the first drama from Shine Australia. The screenplay by Justin Monjo and Dave Warner is billed as the uncensored story of the iconic band.s rise to the top of the international charts and the aftermath of dealing with frontman Michael Hutchence.s death in 1997.
The band.s manager Cm Murphy is an executive producer and the filmmakers have been granted full access to their archive of music, photography and stories.
Luke Arnold, who stars as Long John Silver in the Michael Bay-produced pirate adventure series Black Sails for the Us network Starz, will play Hutchence. A graduate of the Western Australian Academy of Performing Arts, his credits include McLeod's Daughters, Rush, Rescue: Special Ops, City Homicide...
- 6/21/2013
- by Don Groves
- IF.com.au
Screen Australia says it has not mismanaged its finances by spending its annual production funding in just six months - a state of affairs which it says reflects the strength of the local film industry.
The government screen agency revealed in mid-December 2012 that it had spent its entire annual $42 million drama production allocation due to the unprecedented number of quality feature film and television projects seeking support. The shock announcement was reminiscent of the agency's abrupt decision to cut its investment cap in 2009 while several films were mid-financed. That decision.threw several major Australian productions into dissaray including The Tree and the biggest box office hit of.2010, Tomorrow When the War Began (Omnilab Media had to increase its investment at the last minute to ensure production).
Overspending on such a scale has never occurred before, even going back to the era of Screen Australia.s predecessor funding arm, the Film Finance Corporation.
The government screen agency revealed in mid-December 2012 that it had spent its entire annual $42 million drama production allocation due to the unprecedented number of quality feature film and television projects seeking support. The shock announcement was reminiscent of the agency's abrupt decision to cut its investment cap in 2009 while several films were mid-financed. That decision.threw several major Australian productions into dissaray including The Tree and the biggest box office hit of.2010, Tomorrow When the War Began (Omnilab Media had to increase its investment at the last minute to ensure production).
Overspending on such a scale has never occurred before, even going back to the era of Screen Australia.s predecessor funding arm, the Film Finance Corporation.
- 2/6/2013
- by Brendan Swift
- IF.com.au
The Devil’s Playground
A series which picks up the story of classic feature film The Devil’s Playground 35 years on, is among 11 productions to receive Screen Australia funding.
Return to the Devil’s Playground is a six-part series produced by Matchbox Pictures’ Helen Bowden and Blake Ayshford and directed by The Strait’s Rachel Ward and Dead Europe’s Tony Krawitz.
Writers on the production are Ayshford, Cate Shortland, Alice Addison and Tommy Murphy.
The series picks up the story in 1988, 35 years after Fred Schepisi’s The Devil’s Playground, where main character Tom Allen, a psychiatrist and a secular confessor to the Catholic clergy, becomes entangled in political and theological intrigue.
The series is executive produced by Penny Chapman, Simon Burke, who played the original character of Tom Allen and is the current Actor’s Equity president, and Penny Win.
Screen Australia’s overall investment across the 11 productions...
A series which picks up the story of classic feature film The Devil’s Playground 35 years on, is among 11 productions to receive Screen Australia funding.
Return to the Devil’s Playground is a six-part series produced by Matchbox Pictures’ Helen Bowden and Blake Ayshford and directed by The Strait’s Rachel Ward and Dead Europe’s Tony Krawitz.
Writers on the production are Ayshford, Cate Shortland, Alice Addison and Tommy Murphy.
The series picks up the story in 1988, 35 years after Fred Schepisi’s The Devil’s Playground, where main character Tom Allen, a psychiatrist and a secular confessor to the Catholic clergy, becomes entangled in political and theological intrigue.
The series is executive produced by Penny Chapman, Simon Burke, who played the original character of Tom Allen and is the current Actor’s Equity president, and Penny Win.
Screen Australia’s overall investment across the 11 productions...
- 12/17/2012
- by Colin Delaney
- Encore Magazine
Screen Australia has today announced it will invest over $11.4 million in five feature films and six television series, one of which is for children.
The feature projects include Kill Me Three Times from Red Dog director Kriv Stenders, The Darkside from writer/director Warwick Thornton, debut feature Fell from Kasimir Burgess, crime-thriller Cut Snake from director Tony Ayres (Home Song Stories) and comedy Now Add Honey from successful comedy team Wayne Hope and Robyn Butler (The Librarians).
Screen Australia.s Chief Executive Ruth Harley said, .It.s great to end the year investing in such a dynamic range of feature films from a good mix of experienced practitioners and emerging talent.
.I.m thrilled to announce Warwick Thornton.s highly creative and resonant Indigenous story, The Darkside. The smart and stylish thriller Cut Snake comes from a talented and experienced team and Kill Me Three Times is a well-told tale...
The feature projects include Kill Me Three Times from Red Dog director Kriv Stenders, The Darkside from writer/director Warwick Thornton, debut feature Fell from Kasimir Burgess, crime-thriller Cut Snake from director Tony Ayres (Home Song Stories) and comedy Now Add Honey from successful comedy team Wayne Hope and Robyn Butler (The Librarians).
Screen Australia.s Chief Executive Ruth Harley said, .It.s great to end the year investing in such a dynamic range of feature films from a good mix of experienced practitioners and emerging talent.
.I.m thrilled to announce Warwick Thornton.s highly creative and resonant Indigenous story, The Darkside. The smart and stylish thriller Cut Snake comes from a talented and experienced team and Kill Me Three Times is a well-told tale...
- 12/17/2012
- by Emily Blatchford
- IF.com.au
<p><a href="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires.jpg"><img class="size-thumbnail wp-image-3055 alignright" title="Farmer and Anu in the current stage version of The Sapphires" src="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires-150x150.jpg" alt="Farmer and Anu in the current stage version of The Sapphires" width="150" height="150" /></a>Screen Australia announced its last investment round for 2010, with almost $18m for five features, three drama series, two low budget TV dramas, a children’s TV series, and 17 docos.</p> <p>The films include the musical <em>The Sapphires </em>(dir. Wayne Blair),<em> The King is Dead!</em> (dir. Rolf de Heer), <em>Dead Europe</em> (dir. Tony Krawitz), <em>Venice </em>(dir. Miro Bilbrough) and <em>Summer Coda</em> (dir. Richard Gray).<span id="more-6142"></span></p> <p><em>Summer Coda </em>was released in October, and today’s announcement by Screen Australia refers to a September decision that provided the film with post-production funding.</p> <p>The projects are:<br /> Feature Drama<br /> <strong>Dead Europe</strong><br /> See Saw Films Pty Ltd<br /> Producers Emile Sherman, Iain Canning<br /> Writer Louise Fox<br /> Director Tony Krawitz<br /> Sales and Distribution Cross City Sales, Wild Bunch International Sales, Transmission Films<br /> Synopsis Isaac, a late 20s Greek Australian, spirals out of control when he’s forced to confront<br /> his own family’s cursed legacy on his first trip to...
- 12/2/2010
- by Miguel Gonzalez
- Encore Magazine
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