Leo White(1882-1948)
- Actor
- Director
- Writer
Leo White started in comedy on the boards of English music hall in the
late
1890's. He accompanied theatrical producer Daniel Frohman
(later a partner of Adolph Zukor in Famous
Players Lasky) to Hollywood in 1910. From 1914, he appeared in Essanay
comedies and filmed the
'Sweedie'
series with Wallace Beery.
He then became a regular supporting player in
Charles Chaplin's films at Essanay and,
later Mutual, playing dapper, moustachioed continental (particularly
French) villains and pompous aristocrats. That image remained with him,
as he was contracted by Essanay to play the comic foil to their new
French star comedian Max Linder.
White's major dramatic film credits of the silent period included
Blood and Sand (1922) with
Rudolph Valentino and the biblical
epic
Ben-Hur: A Tale of the Christ (1925).
He successfully made the transition to talking pictures and had
supporting roles in two Marx Brothers comedies,
Monkey Business (1931) and the
classic
A Night at the Opera (1935),
as well as playing a barber in Chaplin's
The Great Dictator (1940). In
the years just prior to his death, he worked as an extra in several
films for Warner Brothers.
late
1890's. He accompanied theatrical producer Daniel Frohman
(later a partner of Adolph Zukor in Famous
Players Lasky) to Hollywood in 1910. From 1914, he appeared in Essanay
comedies and filmed the
'Sweedie'
series with Wallace Beery.
He then became a regular supporting player in
Charles Chaplin's films at Essanay and,
later Mutual, playing dapper, moustachioed continental (particularly
French) villains and pompous aristocrats. That image remained with him,
as he was contracted by Essanay to play the comic foil to their new
French star comedian Max Linder.
White's major dramatic film credits of the silent period included
Blood and Sand (1922) with
Rudolph Valentino and the biblical
epic
Ben-Hur: A Tale of the Christ (1925).
He successfully made the transition to talking pictures and had
supporting roles in two Marx Brothers comedies,
Monkey Business (1931) and the
classic
A Night at the Opera (1935),
as well as playing a barber in Chaplin's
The Great Dictator (1940). In
the years just prior to his death, he worked as an extra in several
films for Warner Brothers.