Director | Writer | Producer
Films frequently feature a scene where a protagonist returns to their childhood home, only to become depressed by the environment (Oslo, August 31st (2011), Louder Than Bombs (2015), and Thelma (2017)).
I like working intuitively, in what I call dirty formalism, or pop formalism. I jokingly say that our films should be like great albums with different songs. I am a big fan of Nicolas Roeg, Don't Look Now (1973) which could be very specific ...
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