Creating art can be one of the most rewarding and ultimately challenging processes for the creator. Every once in a while, the project you have envisioned ends up becoming something completely different when it goes through various producers and other people involved, superimposing their own ideas and thoughts into the characters and what they are going through. While some scripts definitely benefited from such procedures, the sheer amount of alternate versions to certain movies or disputes between writers, producers and directors speaks for itself. The experience is also not new to Iranian filmmaker Faeze Azizkhani which she turned into the foundation for her second feature “The Locust” and besides tackling issues of the creation of a film, also deals with themes such as family and the status of women in Iranian society.
The Locust is screening at Edinburgh International Film Festival
Hanieh (Hanieh Tavassoli) is a screenwriter in Iran, and...
The Locust is screening at Edinburgh International Film Festival
Hanieh (Hanieh Tavassoli) is a screenwriter in Iran, and...
- 8/17/2022
- by Rouven Linnarz
- AsianMoviePulse
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