Kcet picked up a leading six wins tonight at the Los Angeles Area Emmy Awards, including awards for local color and culture/history. Kmex, Ktla and Kvea followed with five wins each.
Ktla’s wins included the best daily morning newscast and best daily daytime newscast categories. Kvea won the best evening newscast honor. The awards were handed out at the Television Academy’s Saban Media Center in North Hollywood.
Below is the complete list of winners at the 71st Los Angeles Area Emmys, including a breakdown of wins by each outlet.
L.A. Local Color
Louis & Jazz (The Migrant Kitchen) Kcet
Matthew Crotty, Producer
Juan Devis, Executive Producer
Antonio Diaz, Producer
Stef Ferrari, Producer
Ben Hunter, Director, Editor
Jacqueline Reyno, Producer
Austin Straub, Camera
Environment News Story
Plastic And Our Oceans NBC4
(NBC4 News At 7Am And 5Pm)
Shanna Mendiola, Reporter
Andres Fernando Pruna, Camera, Editor, Producer
Sports Special
Dodgermentary:...
Ktla’s wins included the best daily morning newscast and best daily daytime newscast categories. Kvea won the best evening newscast honor. The awards were handed out at the Television Academy’s Saban Media Center in North Hollywood.
Below is the complete list of winners at the 71st Los Angeles Area Emmys, including a breakdown of wins by each outlet.
L.A. Local Color
Louis & Jazz (The Migrant Kitchen) Kcet
Matthew Crotty, Producer
Juan Devis, Executive Producer
Antonio Diaz, Producer
Stef Ferrari, Producer
Ben Hunter, Director, Editor
Jacqueline Reyno, Producer
Austin Straub, Camera
Environment News Story
Plastic And Our Oceans NBC4
(NBC4 News At 7Am And 5Pm)
Shanna Mendiola, Reporter
Andres Fernando Pruna, Camera, Editor, Producer
Sports Special
Dodgermentary:...
- 7/28/2019
- by Anita Bennett
- Deadline Film + TV
Two major performance-rights organizations announced this week the launch of workshops designed to aid up-and-coming film and TV composers: Ascap, for film scoring; and Bmi, for conducting.
Both are multi-week events for which hundreds apply annually, and the two will culminate in live recording sessions at Los Angeles area studios later this month.
Ascap began its 30th annual Film Scoring Workshop today, with Emmy-winning composer Richard Bellis as mentor and Ascap film and TV executives Michael Todd and Jennifer Harmon producing.
It’s a comprehensive, four-week program that has proven a launching pad for many composers in the past, including Jim Dooley (“Pushing Daisies”), Rob Duncan (“Castle”), Matthew Margeson (the “Kingsman” movies), Cliff Martinez (“Drive”), Mateo Messina (“Juno”) and Austin Wintory (“Journey”).
This year’s 12 composers — chosen from nearly 400 applicants — include Shaun Crawford of Cape Town, South Africa; Damien Lane of Cambewarra, Australia; Kyle Laporte of Playa Del Rey, Calif.
Both are multi-week events for which hundreds apply annually, and the two will culminate in live recording sessions at Los Angeles area studios later this month.
Ascap began its 30th annual Film Scoring Workshop today, with Emmy-winning composer Richard Bellis as mentor and Ascap film and TV executives Michael Todd and Jennifer Harmon producing.
It’s a comprehensive, four-week program that has proven a launching pad for many composers in the past, including Jim Dooley (“Pushing Daisies”), Rob Duncan (“Castle”), Matthew Margeson (the “Kingsman” movies), Cliff Martinez (“Drive”), Mateo Messina (“Juno”) and Austin Wintory (“Journey”).
This year’s 12 composers — chosen from nearly 400 applicants — include Shaun Crawford of Cape Town, South Africa; Damien Lane of Cambewarra, Australia; Kyle Laporte of Playa Del Rey, Calif.
- 7/9/2018
- by Jon Burlingame
- Variety Film + TV
For a short film, “Night Shift” has a backstory of its own which gives more than the film’s glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub.
Filmmaker Marshall Tyler’s “Night Shift”, stars Tunde Adebimpe and is executive produced by JuVee Productions, the company founded by Viola Davis and her husband Julius Tennon established to empower diverse voices and emerging artists. It is produced by Moira Griffin, Efuru Flowers and Roberta Marie Munroe.
Watch the trailer here: https://vimeo.com/198757828
Marshall and I had a long conversation at the Yarrow in Sundance the day of the premiere of his film.
Let’s start with who you are…
Well, I was born in Philadelphia and raised in Hawaii and then moved to San Diego. I went to Howard University. Now I am based in La. My first documentary, “Skid Row”, followed Pras Michél,...
Filmmaker Marshall Tyler’s “Night Shift”, stars Tunde Adebimpe and is executive produced by JuVee Productions, the company founded by Viola Davis and her husband Julius Tennon established to empower diverse voices and emerging artists. It is produced by Moira Griffin, Efuru Flowers and Roberta Marie Munroe.
Watch the trailer here: https://vimeo.com/198757828
Marshall and I had a long conversation at the Yarrow in Sundance the day of the premiere of his film.
Let’s start with who you are…
Well, I was born in Philadelphia and raised in Hawaii and then moved to San Diego. I went to Howard University. Now I am based in La. My first documentary, “Skid Row”, followed Pras Michél,...
- 2/6/2017
- by Sydney Levine
- Sydney's Buzz
Far be it from me to disagree with our staff, but I would hard-pressed to name 30 films from 2015 that I would consider among the “best” of the year.
The same can’t be said for film music, though. As predictable as each superhero template or franchise reboot may have been this year, composers keep finding new ways to reinvent the sounds of the cinema. Not to mention that the ever-widening landscape of VOD and streaming service-produced projects has increased the room with which artists can flex their musical chops.
2015 was an embarrassment of movie score riches. In indie horror gem Bone Tomahawk, Jeff Herriott & S. Craig Zahler inject hope and despair into a bleak, cannibal-stricken Wild West, where feeling anything is better than the unflinching mortality facing its characters. Patrick Doyle’s warmhearted Cinderella continued Disney’s tradition of attaching amazing scores to frivolous live-action do-overs, while on the other end of the spectrum,...
The same can’t be said for film music, though. As predictable as each superhero template or franchise reboot may have been this year, composers keep finding new ways to reinvent the sounds of the cinema. Not to mention that the ever-widening landscape of VOD and streaming service-produced projects has increased the room with which artists can flex their musical chops.
2015 was an embarrassment of movie score riches. In indie horror gem Bone Tomahawk, Jeff Herriott & S. Craig Zahler inject hope and despair into a bleak, cannibal-stricken Wild West, where feeling anything is better than the unflinching mortality facing its characters. Patrick Doyle’s warmhearted Cinderella continued Disney’s tradition of attaching amazing scores to frivolous live-action do-overs, while on the other end of the spectrum,...
- 1/3/2016
- by David Klein
- SoundOnSight
Eric Lavallee: Name me three of your favorite “2014 discoveries”…
Timo Chen: I worked a lot in 2014 so I didn’t get out much. That said, I was able to recall three things that I discovered that changed a few things in my life.
• Learning to solder and then learning that you could learn just about anything on youtube. I had previously only used electrical tape and sloppy fixtures for all my electronic music endeavors. I told myself that I had to learn how to solder so I looked it up on youtube and was blown away by how many enthusiasts there were giving detailed instruction on something as commonplace as soldering. Then I started doing the same with carpentry and building more and more things–fixtures around the studio, etc. Learning to teach myself to build things was a huge discovery for me in 2014.
• Two pieces of music: Te Deum by Arvo Pärt.
Timo Chen: I worked a lot in 2014 so I didn’t get out much. That said, I was able to recall three things that I discovered that changed a few things in my life.
• Learning to solder and then learning that you could learn just about anything on youtube. I had previously only used electrical tape and sloppy fixtures for all my electronic music endeavors. I told myself that I had to learn how to solder so I looked it up on youtube and was blown away by how many enthusiasts there were giving detailed instruction on something as commonplace as soldering. Then I started doing the same with carpentry and building more and more things–fixtures around the studio, etc. Learning to teach myself to build things was a huge discovery for me in 2014.
• Two pieces of music: Te Deum by Arvo Pärt.
- 2/5/2015
- by Eric Lavallee
- IONCINEMA.com
Composer Timo Chen may have started playing piano at the age of 5, and studied at the Oberlin Conservatory of Music, but don't think for a second he's stuck on traditional approaches to music. This week at Sundance, the sci-fi film "Advantageous" will premiere and it will feature a score by Chen aided by some unorthodox treatments to a wide range of musical instruments. Co-written and directed by Jennifer Phang, and starring Jacqueline Kim, James Urbaniak, Jennifer Ehle, Ken Jeong, and Freya Adams, the story is set in the near future where new technology allows people to overcome their natural disadvantages and begin life anew. Inspired by the film's themes, Chen used a vibrator, toothbrush, Tibetan mallet and more to create unique sounds in his score for "Advantageous." In the exclusive featurette below, the composer details his work on the film. "Advantageous" premieres tonight at Sundance. Browse through all our coverage...
- 1/26/2015
- by Kevin Jagernauth
- The Playlist
The Scottish singer is among the directors and composers selected for one of two Sundance Institute Music and Sound Design Labs at Skywalker Sound, set to run from July 8-22.
This will be the second year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California and one of 10 residential Labs hosted by Sundance Institute this summer.
Artists and projects selected for the Lab are:
Filmmakers:
All filmmakers have been supported by the Sundance Institute Feature Film Program. This is the first year that two projects come to the Lab in the post-production phase. The other projects recently participated in the Institute’s June Directors and Screenwriters Lab.
Nikole Beckwith (writer-director) for Stockholm, Pennsylvania (Us). In post;
Chloe Zhao (writer-director) for Songs My Brothers Taught Me (Us). In post;
Gabriela Amaral Almeida (writer-director) for The Father’s Shadow (Brazil);
Jordana Spiro (co-writer and director) and Angelica Nwandu (co-writer) for Night Comes On (Us...
This will be the second year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California and one of 10 residential Labs hosted by Sundance Institute this summer.
Artists and projects selected for the Lab are:
Filmmakers:
All filmmakers have been supported by the Sundance Institute Feature Film Program. This is the first year that two projects come to the Lab in the post-production phase. The other projects recently participated in the Institute’s June Directors and Screenwriters Lab.
Nikole Beckwith (writer-director) for Stockholm, Pennsylvania (Us). In post;
Chloe Zhao (writer-director) for Songs My Brothers Taught Me (Us). In post;
Gabriela Amaral Almeida (writer-director) for The Father’s Shadow (Brazil);
Jordana Spiro (co-writer and director) and Angelica Nwandu (co-writer) for Night Comes On (Us...
- 6/10/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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