Exclusive: Crime heist drama series Vanda is headed to Hulu. The U.S. streamer will be the exclusive SVOD home to the series, an international co-production from Legendary, indie producer SPi and Spain’s La Panda.
The deal also marks a continued expansion of Legendary’s international TV business, with Apple TV+s recent acquisition of Legendary-produced Drops of God, a series set in the world of fine wine based on a Japanese manga property. Legendary Television, Dynamic Television, France Televisions and Hulu Japan produced in partnership with Adline Entertainment.
It was previously announced that Vanda had been picked up by Canal+ Group for its channel Polar+ in France, by Lionsgate+ in Brazil and by Special Broadcasting Service (Sbs) in Australia. Vanda is also available in Portugal via the SVOD platform Opto/Sic, where it began airing in March 2022 and was recently nominated for an Academia de Cinema Sophia Award...
The deal also marks a continued expansion of Legendary’s international TV business, with Apple TV+s recent acquisition of Legendary-produced Drops of God, a series set in the world of fine wine based on a Japanese manga property. Legendary Television, Dynamic Television, France Televisions and Hulu Japan produced in partnership with Adline Entertainment.
It was previously announced that Vanda had been picked up by Canal+ Group for its channel Polar+ in France, by Lionsgate+ in Brazil and by Special Broadcasting Service (Sbs) in Australia. Vanda is also available in Portugal via the SVOD platform Opto/Sic, where it began airing in March 2022 and was recently nominated for an Academia de Cinema Sophia Award...
- 4/26/2023
- by Denise Petski
- Deadline Film + TV
Set in Costa da Caparica, Portugal, amidst the 2008 economic crisis, “Vanda” – which screened at Berlin Film Festival’s European Film Market – tells the true-to-life story of distressed hairdresser turned unlikely criminal Dulce Caroço.
Our titular character, played by Gabriella Barros[/link] (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.
In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes. Her beauty salon seats sit largely empty. Her deadbeat husband is out of work and has used up all of her money, leaving bills unpaid and the bank breathing down her neck. Desperate to provide for her children, she resolves to turn their lives around by robbing a bank.
The EFM preview of this co-production between Legendary Television,...
Our titular character, played by Gabriella Barros[/link] (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.
In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes. Her beauty salon seats sit largely empty. Her deadbeat husband is out of work and has used up all of her money, leaving bills unpaid and the bank breathing down her neck. Desperate to provide for her children, she resolves to turn their lives around by robbing a bank.
The EFM preview of this co-production between Legendary Television,...
- 2/16/2022
- by Holly Jones
- Variety Film + TV
At the Awards Night at Olympia Theater at Gusman Center Miami-born writer, producer, director Phil Lord summed up the atmosphere by quoting the following food for thought found on the Knight Foundation’s website: “We seek to bestir the people into an awareness of their own condition, provide inspiration for their thoughts, and rouse them to pursue their true interests,” as Jack Knight once described as the bedrock purpose of his newspaper.
The elegant Awards Ceremony was followed by the International Premiere of Álvaro Fernández Armero’s contemporary Spanish comedy "Sidetracked" (Las ovejas no pierden el tren), starring Inma Cuesta, Raúl Arévalo , and Candela Peña - Isa: Film Factory Entertainment.
Miami Dade College's Miami International Film Festival Winners
Knight Competition
Knight Grand Jury Prize: "The Obscure Spring" (Las oscuras primaveras) (Mexico), produced by Luis Albores, Erika Avila, Carlos Mesa and Armon O’Farrill - Production Company: Agencia Sha. The prize includes $30,000 Usd that will be split between the lead production company and the U.S. distributor of the film. If no U.S. distributor is secured before 30 days after the close of the Festival, then the full award will be made to the lead production company. Clock is ticking for a U.S. distributor to buy "The Obscure Spring" and receive $15K from the Festival.
Grand Jury Award Best Performance: Cecilia Suarez, Jose Maria Yazpik and the entire cast of "The Obscure Spring" (Las oscuras primaveras) (Mexico)
Grand Jury Award Best Director: Abner Benaim for "Invasion" (Invasión) (Panama / Argentina) - Panama's First Official Submission for the Academy Awards in the Best Foreign Language Category -Isa: Cinephil.
Knight Documentary Achievement Award: (selected by the Festival audience)
"Tea Time" (La once) (Chile / USA), directed by Maite Alberdi - Isa: Cat & Docs
Lexus Ibero-American Opera Prima Competition
"In the Grayscale" (En las gamas de gris) (Chile), directed by Claudio Marcone - Isa: Outplay
Jordan Alexander Ressler Screenwriting Award
"Theeb" (Jordan / Qatar / United Arab Emirates / United Kingdom), written by Naji Abu Nowar and Bassel Ghandour - Isa: Fortissimo Films - UK: New Wave Films - Switzerland: Trigon-Film
Park Grove Shorts Competition
Best Short Film: “Young Lions of Gypsy” (“A Ciambra”) (Italy/France), directed by Jonas Carpignano
Honorable Mentions: “A Tree In The Sea” (United Arab Emirates), directed by Shahir Zag; and Alba Baptista for her performance in Simão Cayatte's “Miami” (Portugal)
Miami Encuentros presented by Knight Foundation
"The Apostate" (El apóstata) (Spain / France / Uruguay), produced by Guadalupe Balaguer Trelles, Fernando Franco, and Federico Veiroj; directed by Federico Veir - Isa: FIGa Films
Lexus Audience Award
Favorite Feature Film: "Kamikaze" (Spain), directed by Álex Pina - Production Company: Cangrejo Films
Favorite Short Film: “Young Lions of Gypsy” (“A ciambra”) (Italy), directed by Jonas Carpignano
The announcements were made by the Festival's executive director Jaie Laplante and Lexus' vehicle operations manager, Marcus Williams, at the Patrón Xo Café Igloo Awards Night Party, presented at the Historic Alfred I. Dupont Building, courtesy of Tilia Companies.
The elegant Awards Ceremony was followed by the International Premiere of Álvaro Fernández Armero’s contemporary Spanish comedy "Sidetracked" (Las ovejas no pierden el tren), starring Inma Cuesta, Raúl Arévalo , and Candela Peña - Isa: Film Factory Entertainment.
Miami Dade College's Miami International Film Festival Winners
Knight Competition
Knight Grand Jury Prize: "The Obscure Spring" (Las oscuras primaveras) (Mexico), produced by Luis Albores, Erika Avila, Carlos Mesa and Armon O’Farrill - Production Company: Agencia Sha. The prize includes $30,000 Usd that will be split between the lead production company and the U.S. distributor of the film. If no U.S. distributor is secured before 30 days after the close of the Festival, then the full award will be made to the lead production company. Clock is ticking for a U.S. distributor to buy "The Obscure Spring" and receive $15K from the Festival.
Grand Jury Award Best Performance: Cecilia Suarez, Jose Maria Yazpik and the entire cast of "The Obscure Spring" (Las oscuras primaveras) (Mexico)
Grand Jury Award Best Director: Abner Benaim for "Invasion" (Invasión) (Panama / Argentina) - Panama's First Official Submission for the Academy Awards in the Best Foreign Language Category -Isa: Cinephil.
Knight Documentary Achievement Award: (selected by the Festival audience)
"Tea Time" (La once) (Chile / USA), directed by Maite Alberdi - Isa: Cat & Docs
Lexus Ibero-American Opera Prima Competition
"In the Grayscale" (En las gamas de gris) (Chile), directed by Claudio Marcone - Isa: Outplay
Jordan Alexander Ressler Screenwriting Award
"Theeb" (Jordan / Qatar / United Arab Emirates / United Kingdom), written by Naji Abu Nowar and Bassel Ghandour - Isa: Fortissimo Films - UK: New Wave Films - Switzerland: Trigon-Film
Park Grove Shorts Competition
Best Short Film: “Young Lions of Gypsy” (“A Ciambra”) (Italy/France), directed by Jonas Carpignano
Honorable Mentions: “A Tree In The Sea” (United Arab Emirates), directed by Shahir Zag; and Alba Baptista for her performance in Simão Cayatte's “Miami” (Portugal)
Miami Encuentros presented by Knight Foundation
"The Apostate" (El apóstata) (Spain / France / Uruguay), produced by Guadalupe Balaguer Trelles, Fernando Franco, and Federico Veiroj; directed by Federico Veir - Isa: FIGa Films
Lexus Audience Award
Favorite Feature Film: "Kamikaze" (Spain), directed by Álex Pina - Production Company: Cangrejo Films
Favorite Short Film: “Young Lions of Gypsy” (“A ciambra”) (Italy), directed by Jonas Carpignano
The announcements were made by the Festival's executive director Jaie Laplante and Lexus' vehicle operations manager, Marcus Williams, at the Patrón Xo Café Igloo Awards Night Party, presented at the Historic Alfred I. Dupont Building, courtesy of Tilia Companies.
- 3/19/2015
- by Sydney Levine
- Sydney's Buzz
As has become the story in recent years, familiar Cannes-family names grace the line-up of the official competition of the 64th edition of the Cannes Film Festival.
A dozen of the nineteen films announced are alumni of the festival: Almodovar, Bonello, Cavalier, Ceylan, the Dardenne brothers, Kaurismaki, Kawase, Malick, Moretti, Ramsay, Sorrentino and von Trier all returning to premiere their art, and Jean-Pierre and Luc Dardenne taking a shot at a third Palme d’Or. Add Japan’s Takashi Miike to the mix, and the Danish director of the much-heralded “Pusher” franchise, Nicolas Winding Refn, very few slots can be identified as festival discoveries.
While this trend continues to disappoint people looking to Cannes Official Competition to break ground (two first time filmmakers are included in the line-up), it has also forced journalists to find inspiration in the Un Certain Regard section of the fest. With Sean Durkin’s Sundance...
A dozen of the nineteen films announced are alumni of the festival: Almodovar, Bonello, Cavalier, Ceylan, the Dardenne brothers, Kaurismaki, Kawase, Malick, Moretti, Ramsay, Sorrentino and von Trier all returning to premiere their art, and Jean-Pierre and Luc Dardenne taking a shot at a third Palme d’Or. Add Japan’s Takashi Miike to the mix, and the Danish director of the much-heralded “Pusher” franchise, Nicolas Winding Refn, very few slots can be identified as festival discoveries.
While this trend continues to disappoint people looking to Cannes Official Competition to break ground (two first time filmmakers are included in the line-up), it has also forced journalists to find inspiration in the Un Certain Regard section of the fest. With Sean Durkin’s Sundance...
- 4/14/2011
- by admin
- Moving Pictures Magazine
As has become the story in recent years, familiar Cannes-family names grace the line-up of the official competition of the 64th edition of the Cannes Film Festival.
A dozen of the nineteen films announced are alumni of the festival: Almodovar, Bonello, Cavalier, Ceylan, the Dardenne brothers, Kaurismaki, Kawase, Malick, Moretti, Ramsay, Sorrentino and von Trier all returning to premiere their art, and Jean-Pierre and Luc Dardenne taking a shot at a third Palme d’Or. Add Japan’s Takashi Miike to the mix, and the Danish director of the much-heralded “Pusher” franchise, Nicolas Winding Refn, very few slots can be identified as festival discoveries.
While this trend continues to disappoint people looking to Cannes Official Competition to break ground (two first time filmmakers are included in the line-up), it has also forced journalists to find inspiration in the Un Certain Regard section of the fest. With Sean Durkin’s Sundance...
A dozen of the nineteen films announced are alumni of the festival: Almodovar, Bonello, Cavalier, Ceylan, the Dardenne brothers, Kaurismaki, Kawase, Malick, Moretti, Ramsay, Sorrentino and von Trier all returning to premiere their art, and Jean-Pierre and Luc Dardenne taking a shot at a third Palme d’Or. Add Japan’s Takashi Miike to the mix, and the Danish director of the much-heralded “Pusher” franchise, Nicolas Winding Refn, very few slots can be identified as festival discoveries.
While this trend continues to disappoint people looking to Cannes Official Competition to break ground (two first time filmmakers are included in the line-up), it has also forced journalists to find inspiration in the Un Certain Regard section of the fest. With Sean Durkin’s Sundance...
- 4/14/2011
- by admin
- Moving Pictures Network
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