Tríada is a Mexican Netflix series created by Leticia López Margalli. It is directed by Leonardo D’Antoni and Alba Gil starring Maite Perroni, David Chocarro and Ana Layevska.
Triptych starts with a speech that is suspiciously similar to Inception and action with similarities to Nikita.
About the Series
Do you enjoy psychological thrillers with intricate plots? In Triptych you have a great opportunity to enjoy a story that twists and turns and its themes take us from one place to another, leading us by the nose and we are delighted to be fooled by it.
This is a series featuring Maite Perroni, who carries all the weight in this series about identities and DNA as well as mysteries that fool one.
Don´t be fooled by the rhythm of the presentation, after that, it is not similar to Nikita nor the great film by Christopher Nolan, Triptych is an intrigue series with a slow beat,...
Triptych starts with a speech that is suspiciously similar to Inception and action with similarities to Nikita.
About the Series
Do you enjoy psychological thrillers with intricate plots? In Triptych you have a great opportunity to enjoy a story that twists and turns and its themes take us from one place to another, leading us by the nose and we are delighted to be fooled by it.
This is a series featuring Maite Perroni, who carries all the weight in this series about identities and DNA as well as mysteries that fool one.
Don´t be fooled by the rhythm of the presentation, after that, it is not similar to Nikita nor the great film by Christopher Nolan, Triptych is an intrigue series with a slow beat,...
- 2/22/2023
- by Veronica Loop
- Martin Cid - TV
In its continued bid to create more premium content for the Latin American market under its Onza Americas banner, Madrid-based Onza Entertainment – behind such hit series as “The Department of Time” and a collaborator on Dopamine’s historical drama “Hernan” – is developing political drama series “Sattva.”
Created by Spanish actor Ruben Sanz (“El Dragon”) and written by Int’l Emmy-nominated Luis Gamboa (“Promesas de Campaña”), the series is conceived as a transatlantic production between Mexico and Spain.
Onza is presenting “Saatva” at Iberseries & Platino Industria’s new Co-Production & Financing Forum on Sept. 28.
The abundance of streaming platforms – and their insatiable demand for content – that allowed shows to circulate across more territories has encouraged more content production, said Valentina Pozzoli, Onza’s director of development & international co-productions. The success of such Spanish-language series as “Money Heist,” (“Casa de Papel”) “Dark Desire” (“Oscuro Deseo”) and “Elite” has also been a motivating factor.
Created by Spanish actor Ruben Sanz (“El Dragon”) and written by Int’l Emmy-nominated Luis Gamboa (“Promesas de Campaña”), the series is conceived as a transatlantic production between Mexico and Spain.
Onza is presenting “Saatva” at Iberseries & Platino Industria’s new Co-Production & Financing Forum on Sept. 28.
The abundance of streaming platforms – and their insatiable demand for content – that allowed shows to circulate across more territories has encouraged more content production, said Valentina Pozzoli, Onza’s director of development & international co-productions. The success of such Spanish-language series as “Money Heist,” (“Casa de Papel”) “Dark Desire” (“Oscuro Deseo”) and “Elite” has also been a motivating factor.
- 9/28/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Hello from Provincetown, Massachusetts. As I write this week’s column, Fabian and I are enjoying a week on Cape Cod. In addition to spotting “White Lotus” star Murray Bartlett riding his bike on Commercial Street and seeing Billy Eichner at the legendary daily afternoon “T-party” at the Boatslip hotel, I finally got to meet David Drake, the artistic director of The Provincetown Theater, at a performance of the company’s “The Glass Menagerie.” Due to the pandemic, this season’s performances are outdoors on a stage erected in the theater’s parking lot. As Drake noted in his introduction of the sold-out performance, audiences get to view “The Glass Menagerie” under the same stars that Tennessee Williams probably experienced while writing the first draft of the play in a cottage on the east end of Provincetown. The Provincetown Theater is an example of the resiliency of the arts. At the end of the play,...
- 8/24/2021
- by Marc Malkin
- Variety Film + TV
Ilse Salas is sublime as a moneyed idler whose white-picket world is plunged into chaos by the Mexican financial crisis
There is enormous clarity and control in this film from Mexican director Alejandra Márquez Abella, and a tremendous lead performance from Ilse Salas. She is Sofía, one of the ladies-who-lunch who idle away their days in the wealthy gated communities of Mexico City in 1982, just as the country teeters into economic meltdown and the peso slides into worthlessness compared with the US dollar, a humiliation that symbolises the collapse in national self-esteem.
Sofía’s torpid life is spent at the tennis club, or at restaurants, or at the continuous round of birthday parties. During the summer, she and her husband, Fernando (Flavio Medina), pack the kids off to an international camp – telling them not to mix with other Mexicans – and she spends even more time with frenemies she has known since high school.
There is enormous clarity and control in this film from Mexican director Alejandra Márquez Abella, and a tremendous lead performance from Ilse Salas. She is Sofía, one of the ladies-who-lunch who idle away their days in the wealthy gated communities of Mexico City in 1982, just as the country teeters into economic meltdown and the peso slides into worthlessness compared with the US dollar, a humiliation that symbolises the collapse in national self-esteem.
Sofía’s torpid life is spent at the tennis club, or at restaurants, or at the continuous round of birthday parties. During the summer, she and her husband, Fernando (Flavio Medina), pack the kids off to an international camp – telling them not to mix with other Mexicans – and she spends even more time with frenemies she has known since high school.
- 7/22/2020
- by Peter Bradshaw
- The Guardian - Film News
Close-Up is a feature that spotlights films now playing on Mubi. Alejandra Márquez Abella's The Good Girls is exclusively showing July 23 - August 22, 2020 in most countries in Mubi's Viewfinder series.Sofía saunters through her birthday party with the regal gait of a monarch. It’s the early 1980s in Mexico City, and she’s hobnobbing with the country’s crème de la crème, a chatty contingent of men and women in glamorous clothes who’ve flocked to her mansion. The 1982 economic crisis has just broken out, but none of the guests can foresee its seismic consequences, the way the peso crash and President López Portillo’s policies will spell the demise of many of the country’s richest. The Good Girls, Alejandra Márquez Abella’s sophomore feature, is the story of a fall from grace. It starts off with the outside world at an arm’s length, watching as...
- 7/22/2020
- MUBI
Here is a wrap-up of all the news you need to know from Tuesday, December 17, 2019.
Syfy is gearing up to say goodbye to another series.
The cable network has renewed Van Helsing for a fifth and final season, set to air sometime in 2020.
The news broke days before the Season 4 finale of the vampire drama.
“We are thrilled to be able to bring the amazing Van Helsing saga to a close,” said Chad Oakes, Executive Producer and Co-Chairman of Nomadic Pictures.
“This could not have been done without the support of our incredible cast, crew, Syfy, Netflix and SuperEcran.”
“We are so proud of Van Helsing and would like to thank Syfy and the amazing fans who embraced this series,” said Daniel March, Managing Partner, Dynamic Television.
“We are excited to end the show on its own terms and to give our story, these characters, and our fans the conclusion they so richly deserve.
Syfy is gearing up to say goodbye to another series.
The cable network has renewed Van Helsing for a fifth and final season, set to air sometime in 2020.
The news broke days before the Season 4 finale of the vampire drama.
“We are thrilled to be able to bring the amazing Van Helsing saga to a close,” said Chad Oakes, Executive Producer and Co-Chairman of Nomadic Pictures.
“This could not have been done without the support of our incredible cast, crew, Syfy, Netflix and SuperEcran.”
“We are so proud of Van Helsing and would like to thank Syfy and the amazing fans who embraced this series,” said Daniel March, Managing Partner, Dynamic Television.
“We are excited to end the show on its own terms and to give our story, these characters, and our fans the conclusion they so richly deserve.
- 12/17/2019
- by Paul Dailly
- TVfanatic
The economy’s a mess but Sofía’s hair is perfect in Alejandra Márquez Abella’s “The Good Girls,” a film that is all surface in a way that is not, for once, a negative. The primped, powdered and shoulder-padded story of the fall from grace of a 1980s Mexican socialite is all about buffed and lustrous surfaces — poreless skin, laquered nails, silken fabrics — all the veneer of social superiority that money can buy. It’s an illusion, of course, that such a thin plating of wealth offers any protection against the changeable climate outside. But it’s such a seductive lie that the vacuous, complacent people thus ensheathed are prone to believe it, forgetting that their glaze of perfection is as brittle as the burnt-sugar topping on a crème brûlée. It’s delicious when it cracks.
We’re introduced to Sofía (Ilse Salas) in fragments: her hair being lathered...
We’re introduced to Sofía (Ilse Salas) in fragments: her hair being lathered...
- 6/19/2019
- by Jessica Kiang
- Variety Film + TV
After nearly a decade, Kate Del Castillo will reprise her role as Teresa Mendoza in the return of the Narco drama La Reina del Sur, set to debut in 2019 on Telemundo. The original story, based on the novel of the same by Arturo Perez-Reverte, follows Mendoza’s climb to the top of the male-dominated Narco world that trafficked drugs on a global scale.
Joining Del Castillo in the new season, which shot on location in seven countries, are a mix of returning actors and new multilingual, international talent including Raoul Bova (Under the Tuscan Sun), Eric Roberts (The Dark Knight), Paola Nuñez (The Son), Antonio Gil (Quantum of Solace), and legendary novela actor Humberto Zurita.
The series will pick up eight years after the events of the finale where audiences learned that Mendoza was pregnant and unsure of her future. When La Reina returns, audiences learn she’s disappeared into the U.
Joining Del Castillo in the new season, which shot on location in seven countries, are a mix of returning actors and new multilingual, international talent including Raoul Bova (Under the Tuscan Sun), Eric Roberts (The Dark Knight), Paola Nuñez (The Son), Antonio Gil (Quantum of Solace), and legendary novela actor Humberto Zurita.
The series will pick up eight years after the events of the finale where audiences learned that Mendoza was pregnant and unsure of her future. When La Reina returns, audiences learn she’s disappeared into the U.
- 11/29/2018
- by Rosy Cordero
- Deadline Film + TV
The 17th Marrakech International Film Festival (Nov 30 – Dec 08) has set a jury comprising Suspiria star Dakota Johnson, Indian actress Ileana D’Cruz (Barfi!), Lebanese filmmaker and visual artist Joana Hadjithomas (I Want To See), Brit director Lynne Ramsay (We Need To Talk About Kevin), Moroccan director Tala Hadid (House In The Fields), French director Laurent Cantet (The Class), German actor Daniel Brühl (Rush) and Mexican director Michel Franco (April’s Daughter). As previously revealed, director James Gray will serve as jury president.
A total of 80 films will unspool at the festival, with Julian Schnabel’s Van Gogh biopic At Eternity’s Gate among gala screenings and also the festival’s opener. Other galas include Roma, Green Book and Capernaum while special screenings include Wildlife, Her Smell and Birds Of Passage. The official competition, galas and special screenings are listed below.
The festival will also feature tributes to Robert DeNiro, Robin Wright,...
A total of 80 films will unspool at the festival, with Julian Schnabel’s Van Gogh biopic At Eternity’s Gate among gala screenings and also the festival’s opener. Other galas include Roma, Green Book and Capernaum while special screenings include Wildlife, Her Smell and Birds Of Passage. The official competition, galas and special screenings are listed below.
The festival will also feature tributes to Robert DeNiro, Robin Wright,...
- 11/19/2018
- by Andreas Wiseman
- Deadline Film + TV
What evil lurks in the basement of a powerful and corrupt senator's creepily empty home? In The Inhabitant, three sisters intent on robbing the place are about to find out, and it will force them to fight their own inner demons and dark secrets as they try to figure out how to escape from the demonic presence's grasp and save the girl it has possessed.
Camila (Vanesa Restrepo), Maria (Maria Evoli), and Anita (Carla Adell) have received some insider information about some bribe money stashed away in the senator's safe in his mansion and proceed to break into the home and steal it to pay back a debt owed by Camila. When they don't find the money where it's supposed to be, they start searching the house, waking the sleeping senator (Flavio Medina) and his wife Angelica (Gabriela...
Camila (Vanesa Restrepo), Maria (Maria Evoli), and Anita (Carla Adell) have received some insider information about some bribe money stashed away in the senator's safe in his mansion and proceed to break into the home and steal it to pay back a debt owed by Camila. When they don't find the money where it's supposed to be, they start searching the house, waking the sleeping senator (Flavio Medina) and his wife Angelica (Gabriela...
- 10/21/2018
- QuietEarth.us
Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina’s Fernando) who inherited his wealth from his father and still has yet to really work for it thanks to Uncle Javier (Diego Jáuregui) managing things like he always had. Theirs is a charmed life of opulence and excess wherein they can afford to treat aristocratic etiquette and tradition as sacrosanct while “new money” commoners try to enter their social circle as though they are animals just arrived from the wild. Sofía and Fer are practically European by contrast, propping up their Mexican backyard with class and grace. All that could make life better is Julio Iglesias serenading some “Happy Birthday” magic.
Unfortunately for them, writer/director Alejandra Márquez Abella ensures their false sense of financial security crosses paths with Mexico’s 1982 economic crisis.
Unfortunately for them, writer/director Alejandra Márquez Abella ensures their false sense of financial security crosses paths with Mexico’s 1982 economic crisis.
- 9/22/2018
- by Jared Mobarak
- The Film Stage
Both films recorded an average of three stars from the six critics.
Emir Baigazin’s The River and Benjamin Naishtat’s Rojo have tied at the top of Screen’s complete 2018 Toronto Platform jury grid.
Both films achieved an average of three stars out of four across the six international critics. A score of three stars on the grid represents ‘good’.
The River is about five young brothers living under a controlling father in a remote Kazakh village, whose lives are transformed when they discover a nearby river which had been kept secret from them.
Naishtat’s Rojo follows a...
Emir Baigazin’s The River and Benjamin Naishtat’s Rojo have tied at the top of Screen’s complete 2018 Toronto Platform jury grid.
Both films achieved an average of three stars out of four across the six international critics. A score of three stars on the grid represents ‘good’.
The River is about five young brothers living under a controlling father in a remote Kazakh village, whose lives are transformed when they discover a nearby river which had been kept secret from them.
Naishtat’s Rojo follows a...
- 9/13/2018
- by Ben Dalton
- ScreenDaily
Both films recorded an average three stars from the six critics.
Emir Baigazin’s The River and Benjamin Naishtat’s Rojo have tied at the top of Screen’s complete 2018 Toronto Platform jury grid.
Both films achieved an average of three stars out of four across the six international critics. A score of three stars on the grid represents ‘good’.
The River is about five young brothers living under a controlling father in a remote Kazakh village, whose lives are transformed when they discover a nearby river which had been kept secret from them.
Naishtat’s Rojo follows a strange...
Emir Baigazin’s The River and Benjamin Naishtat’s Rojo have tied at the top of Screen’s complete 2018 Toronto Platform jury grid.
Both films achieved an average of three stars out of four across the six international critics. A score of three stars on the grid represents ‘good’.
The River is about five young brothers living under a controlling father in a remote Kazakh village, whose lives are transformed when they discover a nearby river which had been kept secret from them.
Naishtat’s Rojo follows a strange...
- 9/13/2018
- by Ben Dalton
- ScreenDaily
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