"What do you feel for me?" Altered Innocence has debuted the US trailer for the Belgian film Adoration, which originally premiered at the Locarno Film Festival in 2019, and also stopped by L'Étrange, Sitges, and Fantastic Fest that year. This is the final film of Fabrice du Welz's "Ardennes trilogy", following Calvaire (2004) and Alleluia (2014). The film follows shy 12-year old Paul who lives near a psychiatric institute. After an encounter with a young patient there, the troubled yet beautiful Gloria, he becomes infatuated and vows to protect her. Insisting doctors are holding her hostage for an inheritance the two escape and wreak havoc across the French countryside. Described as "a potent combination of violent thriller and romantic sexual awakening, du Welz masterfully captures the teenage intensity of 'amour fou' pairing perfectly with Manuel Dacosse's sumptuous 16mm photography." With Thomas Gioria & Fantine Harduin as Paul & Gloria, Benoît Poelvoorde, Anaël Snoek,...
- 5/7/2021
- by Alex Billington
- firstshowing.net
If you're looking to camp out on your couch instead of under the stars, Shudder has plenty of horror movies to keep you entertained in the air-conditioned comforts of your own home this month, with Phantom of the Paradise, Knife+Heart, Boar, Hagazussa, The Exorcist, and more horror films joining the streaming service's eclectic lineup (which also includes a new podcast Queer Horror curated collection this month).
You can check out the full list of titles coming to Shudder in the Us this month below, and visit Shudder online to learn more about the streaming service.
"Things get wild this month, starting off with the Shudder exclusive big bad pig pic, Boar; a Pride Month collection headlined by the streaming premiere of Knife+Heart; our latest original podcast, Visitations with Elijah Wood & Daniel Noah; a tour through some of our favorite sub-genres with Sam Zimmerman’s Shudder Guides videos, and new additions...
You can check out the full list of titles coming to Shudder in the Us this month below, and visit Shudder online to learn more about the streaming service.
"Things get wild this month, starting off with the Shudder exclusive big bad pig pic, Boar; a Pride Month collection headlined by the streaming premiere of Knife+Heart; our latest original podcast, Visitations with Elijah Wood & Daniel Noah; a tour through some of our favorite sub-genres with Sam Zimmerman’s Shudder Guides videos, and new additions...
- 6/7/2019
- by Derek Anderson
- DailyDead
Close-Up is a feature that spotlights films now playing on Mubi. Bertrand Mandico's The Wild Boys (2017), which is receiving an exclusive global online premiere on Mubi, is showing from September 14 – October 14, 2018 as a Special Discovery.“I’m sick to death of this self. I want another.”—Orlando, Virginia Woolf, 1928Bertrand Mandico’s The Wild Boys depicts a metamorphosis from male to female, set against a landscape of gender fluidity. Upon a cursory glance, Mandico’s cinema seems to exist to be deconstructed. Like his short films, his first feature occupies an epicene world that collapses the binaries of biological sex and gender, extrapolating a dilemma described in Laura Mulvey’s “Visual Pleasure and Narrative Cinema,” which addresses men’s creation and spectatorship of images of women on film. In The Wild Boys, Mandico complicates the spectatorship of biological sex in that the titular boys are all played by women.
- 9/14/2018
- MUBI
It is always a suspect decision to call a film “indescribable,” at least when assessing it as a whole. Certain aspects may and often do elude one’s ability to comprehend on a moment by moment basis, but in general a movie, especially one which adheres to a set narrative, can be summed up purely in terms of subject matter, theme, and so on. It might not necessarily be the case that there is nothing new under the sun, but it is quite difficult, at least at this point in the evolution of art, to create a narrative consisting of totally uncharted territory.
With that said, is The Wild Boy indescribable? On the most fundamental level, the directorial debut feature of Bertrand Mandico is certainly not: its structure and central conflict is more-or-less a direct cross between the rebellious coming-of-age story and the sea adventure. But it would be equally...
With that said, is The Wild Boy indescribable? On the most fundamental level, the directorial debut feature of Bertrand Mandico is certainly not: its structure and central conflict is more-or-less a direct cross between the rebellious coming-of-age story and the sea adventure. But it would be equally...
- 8/24/2018
- by Ryan Swen
- The Film Stage
Bertrand Mandico’s feature about a group of entitled boys punished after a rape doesn’t answer all of the questions it asks
French director Bertrand Mandico turns the arthouse weirdness dial up to 11 with his erotically uninhibited and deeply bizarre feature debut set at the turn of the last century. Some might find the movie outrageously self-indulgent, but I was drawn into its hermetically sealed world of oddness – and Mandico pays attention to character to a degree that experimental film-makers often don’t bother with.
Anaël Snoek is cruel, swaggering Tanguy, a teenage boy who looks like a cross between a young Tilda Swinton and Draco Malfoy. At boarding school, Tanguy is a junior member of a gang of delinquents, the entitled sons and heirs of the rich elite. One night, the boys rape a female teacher while gripped by a collective rage they call Trevor (perhaps that doesn...
French director Bertrand Mandico turns the arthouse weirdness dial up to 11 with his erotically uninhibited and deeply bizarre feature debut set at the turn of the last century. Some might find the movie outrageously self-indulgent, but I was drawn into its hermetically sealed world of oddness – and Mandico pays attention to character to a degree that experimental film-makers often don’t bother with.
Anaël Snoek is cruel, swaggering Tanguy, a teenage boy who looks like a cross between a young Tilda Swinton and Draco Malfoy. At boarding school, Tanguy is a junior member of a gang of delinquents, the entitled sons and heirs of the rich elite. One night, the boys rape a female teacher while gripped by a collective rage they call Trevor (perhaps that doesn...
- 5/10/2018
- by Cath Clarke
- The Guardian - Film News
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