French sales house to market premiere ‘Bright Women’ at Rendez-Vous.
MPM Premium has boarded French drama Bright Women (Brillantes) and has unveiled more sales for Until Tomorrow, Umami and Ghosts ahead of Unifrance’s annual Rendez-Vous in Paris this week.
MPM will market premiere Bright Women for buyers at Rendez-Vous, where it will kick off global sales for the film ahead of its debut in French theatres on January 18 via Alba Films.
The first feature from Sylvie Gautier, Bright Women follows a housekeeper and mother who is asked to lead a movement of unionised workers and finds herself in a moral dilemma.
MPM Premium has boarded French drama Bright Women (Brillantes) and has unveiled more sales for Until Tomorrow, Umami and Ghosts ahead of Unifrance’s annual Rendez-Vous in Paris this week.
MPM will market premiere Bright Women for buyers at Rendez-Vous, where it will kick off global sales for the film ahead of its debut in French theatres on January 18 via Alba Films.
The first feature from Sylvie Gautier, Bright Women follows a housekeeper and mother who is asked to lead a movement of unionised workers and finds herself in a moral dilemma.
- 1/9/2023
- by Rebecca Leffler
- ScreenDaily
French sales house to market premiere ‘Bright Women’ at Rendez-Vous.
MPM Premium has boarded French drama Bright Women (Brillantes) and has unveiled more sales for Until Tomorrow, Umami and Ghosts ahead of Unifrance’s annual Rendez-Vous in Paris this week.
MPM will market premiere Bright Women for buyers at Rendez-Vous, where it will kick off global sales for the film ahead of its debut in French theatres on January 18 via Alba Films.
The first feature from Sylvie Gautier, Bright Women follows a housekeeper and mother who is asked to lead a movement of unionised workers and finds herself in a moral dilemma.
MPM Premium has boarded French drama Bright Women (Brillantes) and has unveiled more sales for Until Tomorrow, Umami and Ghosts ahead of Unifrance’s annual Rendez-Vous in Paris this week.
MPM will market premiere Bright Women for buyers at Rendez-Vous, where it will kick off global sales for the film ahead of its debut in French theatres on January 18 via Alba Films.
The first feature from Sylvie Gautier, Bright Women follows a housekeeper and mother who is asked to lead a movement of unionised workers and finds herself in a moral dilemma.
- 1/9/2023
- by Rebecca Leffler
- ScreenDaily
Stuck with You (Happy Nous Year) is a French movie directed by Frank Bellocq, starring Kev Adams and Camille Lellouche.
A movie that lasts no longer than an hour, bordering a short, which plays at going (slightly) beyond a simple premise, and where focus is placed squarely on the performances by Kev Adams and Camille Lellouche.
A romantic comedy with a quotidian take.
About the Movie
The simplicity of a short based on a classic idea that will definitely not be a blockbuster. If you have grown a bit tired of Avatar over this Christmas season, know that this film is far different to the mega-production: it has two characters who are trapped in an elevator, and end up sharing their stories and reliving them (flashbacks).
Everything rests on the performances, and that is where each must decide if they like it or not, depending on the lunar position in...
A movie that lasts no longer than an hour, bordering a short, which plays at going (slightly) beyond a simple premise, and where focus is placed squarely on the performances by Kev Adams and Camille Lellouche.
A romantic comedy with a quotidian take.
About the Movie
The simplicity of a short based on a classic idea that will definitely not be a blockbuster. If you have grown a bit tired of Avatar over this Christmas season, know that this film is far different to the mega-production: it has two characters who are trapped in an elevator, and end up sharing their stories and reliving them (flashbacks).
Everything rests on the performances, and that is where each must decide if they like it or not, depending on the lunar position in...
- 12/28/2022
- by Martin Cid
- Martin Cid Magazine - Movies
Paris-based sales house completes string of deals on both films.
Slony Sow’s Franco-Japanese culinary comedy Umami starring Gérard Depardieu has racked up a slew of international sales through Paris-based MPM Premium.
The film has sold across Europe to Jerome Hilal’s brand new distribution label Zinc in France, Neue Visionen in Germany and Austria, Praesens in Switzerland, Vernice in Spain and J&j in the Netherlands.
Rialto has also snapped up the rights in Australia in New Zealand, New Cinema will distribute in Israel and Otaku in the Baltics. In Asia, the film will head to China via Age of Smart Screen Co.
Slony Sow’s Franco-Japanese culinary comedy Umami starring Gérard Depardieu has racked up a slew of international sales through Paris-based MPM Premium.
The film has sold across Europe to Jerome Hilal’s brand new distribution label Zinc in France, Neue Visionen in Germany and Austria, Praesens in Switzerland, Vernice in Spain and J&j in the Netherlands.
Rialto has also snapped up the rights in Australia in New Zealand, New Cinema will distribute in Israel and Otaku in the Baltics. In Asia, the film will head to China via Age of Smart Screen Co.
- 10/11/2022
- by Rebecca Leffler
- ScreenDaily
Rebecca Zlotowski: "This maybe the film Grand Central - someone coming to this new dangerous masculine world and then be driven by desire." Photo: Anne-Katrin Titze
Léa Seydoux and Tahar Rahim create electricity in Rebecca Zlotowski's precise and fiery Grand Central with powerful performances by Olivier Gourmet, Denis Ménochet and Camille Lellouche adding to the volatile mix.
Alfred Hitchcock's Strangers On A Train and Robert Bresson's Pickpocket come to mind as we meet Gary (Rahim) on a train to a place undisclosed and two noticeable cuts for Seydoux set the tone early - the cut of her shorts in Grand Central and the cut of her hair after the making of Abdellatif Kechiche's Blue Is The Warmest Colour.
Rebecca Zlotowski on scoring the film with her composer Rob: "It was a real challenge…" Photo: Anne-Katrin Titze
Part prison one enters voluntarily, part futuristic neon-white belly of a nuclear whale,...
Léa Seydoux and Tahar Rahim create electricity in Rebecca Zlotowski's precise and fiery Grand Central with powerful performances by Olivier Gourmet, Denis Ménochet and Camille Lellouche adding to the volatile mix.
Alfred Hitchcock's Strangers On A Train and Robert Bresson's Pickpocket come to mind as we meet Gary (Rahim) on a train to a place undisclosed and two noticeable cuts for Seydoux set the tone early - the cut of her shorts in Grand Central and the cut of her hair after the making of Abdellatif Kechiche's Blue Is The Warmest Colour.
Rebecca Zlotowski on scoring the film with her composer Rob: "It was a real challenge…" Photo: Anne-Katrin Titze
Part prison one enters voluntarily, part futuristic neon-white belly of a nuclear whale,...
- 3/15/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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