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Netflix will be seeing more of Kid Cosmic as the streamer handed the animated series created by Craig McCracken renewals for season 2 and 3.

Kid Cosmic follows the adventures of an imaginative and enthusiastic boy name who lives with his free-spirited Grandpa in a sparsely populated desert town. The Kid’s dreams of being a hero seem to come true when he discovers 5 Cosmic Stones of Power in a wrecked spaceship. He forms a team of local heroes to stop an onslaught of alien attacks to steal back the stones.

In Kid Cosmic Season 2, Jo learns what it means to be a true leader as the Local Heroes embark on a space adventure to find the remaining Stones of Power and save the galaxy.

The series features the voices of Amanda C. Miller, Jack Fisher, Keith Ferguson, Lily Rose Silver, Fred Tatasciore and Bobby Moynihan. Additional voice cast members are Kim Yarbrough,...

 

"Kid Cosmic", the new animated superhero TV series, created by Craig McCracken and produced by Netflix Animation, stars Jack Fisher, Amanda Miller, Lily Rose Silver, Tom Kenny, Fred Tatasciore and Keith Ferguson, streaming February 2, 2021 on Netflix:

"...the 'Kid', who lives with his free-spirited 'Grandpa' in a sparsely populated town, accidentally finds and activates 5 'cosmic rings of power' retrieved from a space ship wreck..."

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It’s October — what better time for the return of The Walking Dead, which will be getting some fresh blood this season. Also: It’s the beginning of the end for Crazy Ex-Girlfriend; Doctor Who switches up the cast and breaks new ground; CBS lures former Castle star Nathan Fillion back to the crime-procedural game; and Lena Dunham brings her talent for supreme discomfort back to HBO for a new show. And did we mention the Flight of the Conchords are back? Here’s what you’ll be tuning into over the next month.

“Here’s what every woman knows,” Sarayu Blue says in a voice-over kicking off her new sitcom “I Feel Bad.” “We feel bad about something almost every day.” The show, airing a preview episode Sept. 19 before settling into a Thursday-night timeslot, sets its tone early—it differentiates Blue’s Emet from other sitcom moms by her vulnerable honesty, her willingness to admit that not only is she not omnicompetent, she’s perpetually annoyed with herself for not being so.

The challenges Blue faces don’t go beyond traditional sitcom fare—meddling parents, kids developing minds of their own, balancing marriage and work—all of which it handles with élan and wit. Where the show loses its footing is in its depiction of Blue’s co-workers, video game designers whose outright misogyny the show makes the strange decision to play as comedy.

Emet works as a video-game designer, in an office...