10 exciting Spanish directors to track in 2022:
Gabriel AZORÍN
“I’m interested in films that move from intimacy to mystery exploring language without being solemn,” says shorts director Azorín (“Greyhounds”). Backed by Spain’s Dvein Films and Filmika Galaika, “Last Night I Conquered the City of Thebes,” his long-awaited first feature and a friendship tale straddling Roman and modern times, proved a buzz title at Locarno’s 2021 Match Me forum.
VERÓNICA Echegui
Launched as an actor by Bigas Luna in “My Name is La Juani,” the “Trust” and “Fortitude” thesp’s surprising first short “She Wolf Totem” earned her a director Goya. Now she’s writing her feature debut. “I love movies that focus on life aspects that may go unnoticed,” she says citing “Drive my Car,” Michel Gondry and Isabel Coixet.
Anna FERNÁNDEZ De Paco
A poetic depiction of a couple’s changing flats in Sarajevo, De Paco’s short,...
Gabriel AZORÍN
“I’m interested in films that move from intimacy to mystery exploring language without being solemn,” says shorts director Azorín (“Greyhounds”). Backed by Spain’s Dvein Films and Filmika Galaika, “Last Night I Conquered the City of Thebes,” his long-awaited first feature and a friendship tale straddling Roman and modern times, proved a buzz title at Locarno’s 2021 Match Me forum.
VERÓNICA Echegui
Launched as an actor by Bigas Luna in “My Name is La Juani,” the “Trust” and “Fortitude” thesp’s surprising first short “She Wolf Totem” earned her a director Goya. Now she’s writing her feature debut. “I love movies that focus on life aspects that may go unnoticed,” she says citing “Drive my Car,” Michel Gondry and Isabel Coixet.
Anna FERNÁNDEZ De Paco
A poetic depiction of a couple’s changing flats in Sarajevo, De Paco’s short,...
- 5/19/2022
- by Emilio Mayorga
- Variety Film + TV
As the demand for Spanish content and young talent booms, with a plethora of new opportunities come new uncertainties.
Part of Ecam’s Screen industry platform, its Incubator for independent producers is rapidly consolidating as one of the key new development labs in Spain. Eva Saiz’s ‘House of Beasts’ is one of the selected works for this year’s edition. It stands out as a promising piece of delicate storytelling. Thoughtful and candid, Saiz moved from screenwriting to direction with her first short, “Mujer sin hijo,’’ which won a Malaga Festival Audience Award in 2019. Her work brims with caring and patient observation.
Produced by Almaina Producciones, “House of Beasts” follows Pablo, 8, who experiences Madrid and the world of adults alongside his imaginary friend, Lucas. Decoding the unassailable from the point of view of a child, his imagination and innocence, the two will have a summer to remember as Pablo inexorably exits childhood.
Part of Ecam’s Screen industry platform, its Incubator for independent producers is rapidly consolidating as one of the key new development labs in Spain. Eva Saiz’s ‘House of Beasts’ is one of the selected works for this year’s edition. It stands out as a promising piece of delicate storytelling. Thoughtful and candid, Saiz moved from screenwriting to direction with her first short, “Mujer sin hijo,’’ which won a Malaga Festival Audience Award in 2019. Her work brims with caring and patient observation.
Produced by Almaina Producciones, “House of Beasts” follows Pablo, 8, who experiences Madrid and the world of adults alongside his imaginary friend, Lucas. Decoding the unassailable from the point of view of a child, his imagination and innocence, the two will have a summer to remember as Pablo inexorably exits childhood.
- 9/20/2021
- by Emiliano Granada
- Variety Film + TV
Jaione Camborda’s “The Rye Horn,” Enrique Buleo’s “Still Life with Ghosts” and Eva Saiz’s “Casa de fieras” feature among a bevy of new Spanish film projects to be offered at the 4th Madrid-based Incubator.
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
A mentorship program hosted by Madrid’s Ecam Film School, the Incubator has fast consolidated as one of the foremost development labs in Spain targeting producers of first and second features.
The 4th Incubator runs from April through October.
Projects were chosen from a preselection made from over 200 submitted projects led by The Screen program manager Gemma Vidal. All Incubator’s projects receive €10,000 for development. As valuable, however, will be the tutorship led, among directors, by Arantxa Echevarría (“Carmen & Lola”), Rodrigo Sorogoyen (“May God Save Us”), Juan Cavestany (“Spanish Shame”) and director-producer Alberto Marini (“Summer Camp”).
Producer mentors, packing a large experience and multiple hits, take in Simón de Santiago (“While at War...
- 4/8/2021
- by Emilio Mayorga
- Variety Film + TV
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