by Eric Kohn (November 12, 2008) In Irish director Declan Recks' remarkably tense romantic drama "Eden," actions speak louder than words -- or, at least, more coherently, as far as American audiences are concerned. For those inexperienced in the careful discernment of regional accents, "Eden" offers no subtitles, but the central themes are thankfully not lost in translation. Recks relied on visual lyricism as much as dialogue when translating Eugene O'Brien's devastating 2002 play about an estranged young married couple from the stage to the screen. As a result, he doesn't mind if a few lines remain unintelligible to certain viewers. "It makes them pay attention more," Recks told indieWIRE. "People might not get every single word, but they know what's going on from the performances. It's not a very heavily plotted film; it's a character study."