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Possessed by Unreason

By far the biggest brat to sneak his way through Eastern Bloc culture during the New Wave era, Yugoslav bomb-thrower Dušan Makavejev wasn't someone who took on his vocation with a somber air; I don't know for sure how much fun he had making movies, but he seems to have been locked into a constant euphoria of half-soused, giggling movie love. He comprised a kind of one-man Yugoslav film movement at a time when the tense Communist nation barely had a global cultural identity of its own, and his filmography reads like a litany of post-Godardian social felonies, scattered with torched taboos and sly indictments of Soviet influence.

He's most famous for "W.R. - Mysteries of the Organism" (1971), which sent him into exile, and "Sweet Movie" (1974), which was nothing if not a petulant apostate's hocked loogie of revenge. But his earlier features, though just as disrespectful and fragmented with documentary asides,

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