It may not be appropriate to deal with a film widely regarded as the greatest film ever made in this column, which is dedicated to less than famous films, but Marcel Carne’s Les Enfants Du Paradis (1945) is not as well known in India where that other contender for the ‘greatest film’ – Orson Welles’ Citizen Kane (1941) – still rules, except perhaps among Francophiles. Les Enfants Du Paradis is set among actors and performers but it is different from other films generally of the category. If a comparison is to be made, a film like Joseph Manciewicz’s All About Eve (1950) deals with Broadway stars and their doings but it draws a clear dividing line between ‘world’ and ‘stage’. The stage is merely the space in which their relationships and rivalries manifest themselves and not important in itself. Carne’s film is different in as much as it is a paean to...
- 5/26/2011
- by MK Raghvendra
- DearCinema.com
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