I first became aware of Sogo Ishii's The Crazy Family when it got a UK release around 1985. Most western critics found it wearisome and baffling, and I didn't go. Five years later, a Japanese friend showed it to me—he'd already won my confidence by introducing me to Miyazaki's films, still largely unknown in the West at that time. Neither Miyazaki's Totoro nor Ishii's Crazy Family had subtitles, so my friend served as amateur benshi translator, offering some English language help approximately once every ten minutes. Now I've finally seen both with subtitles, I can't say being unable to follow the dialogue greatly hurt either film, since what they really speak is the language of cinema.
But Ishii, inspired by the punk rock ethos, is a very different creature than Miyazaki: his jet-black satire perhaps depends on an awareness of Japanese culture, hence his success at home and puzzled reactions abroad,...
But Ishii, inspired by the punk rock ethos, is a very different creature than Miyazaki: his jet-black satire perhaps depends on an awareness of Japanese culture, hence his success at home and puzzled reactions abroad,...
- 11/17/2011
- MUBI
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