DVD Playhouse—March 2012
By Allen Gardner
J. Edgar (Warner Bros.) Director Clint Eastwood provides a rock-solid, albeit rather flat portrait of polarizing FBI Director J. Edgar Hoover, covering his life from late teens to his death. Leonardo DiCaprio does an impressive turn as Hoover, never crossing the line into caricature, and creating a Hoover that is all too human, making for an all the more unsettling look at absolute power run amuck. Where the film stumbles is the love story at its core: Hoover’s relationship with longtime aide Clyde Tolson (Armie Hammer). In the hands of an openly-gay director like Gus Van Sant, this could have been a heartbreaking, tender story of forbidden (unrequited?) love, but Eastwood seems to tiptoe around their romance, with far too much delicacy and deference. The film works well when recreating the famous crimes and investigations which Hoover made his name on (the Lindbergh kidnapping,...
By Allen Gardner
J. Edgar (Warner Bros.) Director Clint Eastwood provides a rock-solid, albeit rather flat portrait of polarizing FBI Director J. Edgar Hoover, covering his life from late teens to his death. Leonardo DiCaprio does an impressive turn as Hoover, never crossing the line into caricature, and creating a Hoover that is all too human, making for an all the more unsettling look at absolute power run amuck. Where the film stumbles is the love story at its core: Hoover’s relationship with longtime aide Clyde Tolson (Armie Hammer). In the hands of an openly-gay director like Gus Van Sant, this could have been a heartbreaking, tender story of forbidden (unrequited?) love, but Eastwood seems to tiptoe around their romance, with far too much delicacy and deference. The film works well when recreating the famous crimes and investigations which Hoover made his name on (the Lindbergh kidnapping,...
- 3/7/2012
- by The Hollywood Interview.com
- The Hollywood Interview
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