"Was I dreaming or did I just see a bank held up?" asks Sterling Hayden during Nicholas Ray's sole Republic Studios directorial outing, "Johnny Guitar." The 1954 film, which arrives on blu-ray Tuesday as part of Olive Films' carefully curated home video cull of Paramount titles (Viacom absorbed the Republic catalog in the 90's) is paced with such unapologetic relentlessness that midway through the film its title character needs a reality check. The 1950's were the American western's greatest decade and 1954, which also included Robert Aldrich's "Apache" and "Vera Cruz," as well as Allen Dwan's "Silver Lode," was a banner year for revitalizing the genre with more accurate history, psychological nuance, cynicism and violence than had come before. On a superficial level the red dirt world of "Johnny Guitar" overlaps the plea for racial justice of "Apache," the treatise on mercenary...
- 8/3/2012
- by Bruce Bennett
- Indiewire
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