Chicago – The irony of Dallas Richard Hallam and Patrick Horvath’s immensely unsettling little shocker, “Entrance,” is that it has caused many viewers to exit before the end credits have rolled. A surprising number of critics have complained that the film betrays its audience by setting up a low-key indie drama and then turning the tables in the final act. Clearly, these people weren’t paying attention.
The entire film is constructed like a mounting nightmare, as it follows a troubled everywoman, Suzy (Suziey Block), through her banal daily routine in La. The editing is so fragmented that the days start to blur into one another. We see her get ready for work, chat with her genial roommate Karen (Karen Gorham) and have passionless sex with a loser who attempts to sheepishly sneak out the next morning. It all seems rather mundane, but it gradually becomes apparent that something is rather…...
The entire film is constructed like a mounting nightmare, as it follows a troubled everywoman, Suzy (Suziey Block), through her banal daily routine in La. The editing is so fragmented that the days start to blur into one another. We see her get ready for work, chat with her genial roommate Karen (Karen Gorham) and have passionless sex with a loser who attempts to sheepishly sneak out the next morning. It all seems rather mundane, but it gradually becomes apparent that something is rather…...
- 9/20/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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