South Korean cinema has been making an indelible mark over in the west for a good decade or so now, with a number of enthusiastically received genre films whose visual scope and richness in storytelling has positioned them on a par with the best English-language counterparts out there. It was only a matter of time before the hallowed hills of Hollywood came a-knocking, and Oldboy helmer Park Chan-wook has gothic horror Stoker due for release early next year, while The Good, the Bad, the Weird’s Kim Ji-woon makes his debut with the forthcoming Arnold Schwarzenegger comeback vehicle, The Last Stand.
Another filmmaker who is undoubtedly destined to join his homegrown contemporaries on the strength of his work here is Choi Dong-hun. The director has fashioned a fun and sprightly heist caper here – a film which feels tailor-made for an international audience. There are definite shades of Ocean’s 11 and...
Another filmmaker who is undoubtedly destined to join his homegrown contemporaries on the strength of his work here is Choi Dong-hun. The director has fashioned a fun and sprightly heist caper here – a film which feels tailor-made for an international audience. There are definite shades of Ocean’s 11 and...
- 11/2/2012
- by Adam Lowes
- HeyUGuys.co.uk
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