Why most films of Hollywood's golden age chose to brush race issues under the carpet
I have to wonder what the motivation is for re-releasing Gone With The Wind just a couple months before 12 Years A Slave, its polar opposite among films dealing with the peculiar institution of American slavery. Are they looking to generate coattail ticket receipts from the controversy attending Steve McQueen's harrowing and violent epic? Do they think some retirement-home demographic of faded southern belles and elderly white racists will emerge, stooped and wrinkled, to reclaim it one last time?
Who knows? But it's interesting, now that a movie is on the market that lingers in detail on the pain, violence, sexual abuse, squalor and pure evil of slavery, to remind ourselves how they dealt with it in the Golden Age of Hollywood (also the Golden Age of Jim Crow). Of course, they typically dealt with...
I have to wonder what the motivation is for re-releasing Gone With The Wind just a couple months before 12 Years A Slave, its polar opposite among films dealing with the peculiar institution of American slavery. Are they looking to generate coattail ticket receipts from the controversy attending Steve McQueen's harrowing and violent epic? Do they think some retirement-home demographic of faded southern belles and elderly white racists will emerge, stooped and wrinkled, to reclaim it one last time?
Who knows? But it's interesting, now that a movie is on the market that lingers in detail on the pain, violence, sexual abuse, squalor and pure evil of slavery, to remind ourselves how they dealt with it in the Golden Age of Hollywood (also the Golden Age of Jim Crow). Of course, they typically dealt with...
- 11/18/2013
- by John Patterson
- The Guardian - Film News
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