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The Harvest | Review

Harvest Home: McNaughton’s Return Yields Blighted Crop

Fans of director John McNaughton, known for his gruesome cult classic Henry: Portrait of a Serial Killer (1990), as well as that tawdry neo-noir Wild Things (1998), will be happy to realize he’s returned to filmmaking with The Harvest, his first feature film since 2001. An indie thriller written by first time screenwriter Stephen Lancellotti, it’s headlined by the likes of Michael Shannon and Samantha Morton. While there are several standout moments in the film, it’s constantly marred by an underwhelming screenplay that has a few too many inconsistencies to support the development of tension or believability. The insistent need for extravagant twists undermines the logic of the narrative, something unnecessary here considering the intensity of the performances.

Katherine (Morton) and Richard (Shannon) care for their son Andy (Charlie Tahan) in their isolated home in the countryside. Both working in the medical profession,

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