Saving the Farm: Hajdu Offers Poor Man’s 12 Years A Slave
Set against sprawling plains and a dusty backdrop, Mirage (aka Délibáb) unravels as a contemplative drama with a lofty aspirations of an epic. Keeping to a bare bones approach, the skeleton of the narrative exhibits a careful precision, preferring to reserve the details in favor for the audience members connecting the dots themselves. Exploring further previous themes of alienation and oppression, Szabolcs Hajdu, creates a careful–albeit at times disconnected–study of a man who begins as and remains an enigma.
A stranger (Isaach De Bankolé) whose name is not revealed until the latter part of the film finds himself in the hands of a gang, primarily made of farmers, geese herders–but not the kind seen in pastoral portraits but rather ones that wield guns freely. His history is not known and what little of his background only...
Set against sprawling plains and a dusty backdrop, Mirage (aka Délibáb) unravels as a contemplative drama with a lofty aspirations of an epic. Keeping to a bare bones approach, the skeleton of the narrative exhibits a careful precision, preferring to reserve the details in favor for the audience members connecting the dots themselves. Exploring further previous themes of alienation and oppression, Szabolcs Hajdu, creates a careful–albeit at times disconnected–study of a man who begins as and remains an enigma.
A stranger (Isaach De Bankolé) whose name is not revealed until the latter part of the film finds himself in the hands of a gang, primarily made of farmers, geese herders–but not the kind seen in pastoral portraits but rather ones that wield guns freely. His history is not known and what little of his background only...
- 11/28/2014
- by Amanda Yam
- IONCINEMA.com
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