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Kinoteka 2015: 'The Last Day of Summer' review

★★★★☆ Novelist turned filmmaker Tadeusz Konwicki excelled at crafting an atmosphere of the otherworldly on the screen. Though 1965's Jump may be more widely known and highly regarded, a similar milieu pervades The Last Day of Summer (1958), Konwici's first film behind the camera. Ostensibly a straightforward relationship drama far more in the social realist vein typical of Polish cinema at that time, it contains a lyrical quality that elevates an otherwise conventional allegory. It provides the lens through which to discover a poetry that from which a far less literal understanding of the film can transform it from littoral rhyme to deeply poignant ode.

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