The first and most important thing that happened as a result of the staging of "Sticks and Stones" at the Met Theater as part of the Act One Festival was that Scott Swan and I got our first agent. Barbara Baruch worked for Ambrosio/Mortimer, a smaller boutique agency at the time, and from the moment we met her, she seemed like what I imagined an agent to be. She was nurturing, she was a cheerleader, she was a ballbuster, and she was always, always, always in our corner. Our time with her was unfortunately too short, and by the time the agency imploded in accusations of embezzlement, we were already repped by Gersh out of New York. Barbara was first, though, and she was the first one to start pushing people to come see our show and to read our work. The strangest thing about those early days is...
- 6/11/2015
- by Drew McWeeny
- Hitfix
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