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After Vanda? New Directions

6. After Vanda? New DirectionsWeekend 6 - March 7 - 9The films explored over the course of the past five Harvard-Gulbenkian programs have boldly, brilliantly anticipated and defined new directions explored by 21st century world cinema. Aesthetically, politically and formally, the films of Reis-Cordeiro, Rocha, Dias, Viegas and Mozos have each in their own way pioneered new modes of narrative cinema, at times radically intermingling of fiction and non-fiction while always searching always for a new relationship between sound and image, between poetry and politics. In Tras-os-montes and Mudar de vida, we see clearly anticipated the brand of “docu-fiction” so important in world cinema today. In Dias 48, nuanced meta-cinema becomes a way to interrogate the political meaning of the image at its most profoundly level. In Viegas’ Gloria and Mozos Xavier, meanwhile, we discover a new kind of cinematic sensorium—an emotional tactility—as well as an alternate concept of film history told

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