It begins with the abduction of a girl. The scene is quiet and innocuous until it isn’t—a car rolling up to a young girl to ask for directions as children play in the background. The driver says, “Are you Anna?” before a man grabs her and shoves her in the car the instant she says, “Yes.” We watch as though a voyeur behind the trees, helpless to do anything but wait to see what happens while a boy on his bike (Dante Hoagland‘s Howie) rides into frame for the camera to follow home. These suburbs are small so his destination just happens to be next door to the house we’re about to spend the night within. That family’s new babysitter is also named Anna and suddenly we realize what’s gone wrong.
Richard Raymond Harry Herbeck‘s disturbing script and director Michael Thelin‘s willingness...
Richard Raymond Harry Herbeck‘s disturbing script and director Michael Thelin‘s willingness...
- 3/4/2016
- by Jared Mobarak
- The Film Stage
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