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Persistence of Vision: The Cinema of Theodoros Angelopoulos

Theodoros AngelopoulosSo consistent was the vision of Theodoros Angelopoulos that nearly any of his films could stand as a leading representative work. When viewing all 13 of his features within a condensed period of time—an extraordinary opportunity to be offered by New York's Museum of the Moving Image July 8 - 24—one sees just how exceptional Angelopoulos’ filmography is, and how each title is an emblematic entry in the late Greek director’s catalog of persistent themes, tonal frequencies, plot points, and, perhaps most indelibly, sheer visual boldness.Landscape in the Mist (1988)IMAGESIt is in this last regard that Angelopoulos instantly and emphatically impresses. His cinema is punctuated by a remarkable succession of single images that linger long after the film has concluded, often retaining in the viewer’s consciousness more than an overall story or specific characters. Silhouetted bodies on a fog-shrouded border fence in Eternity and a Day (1998); a

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