Somewhere up there in heaven (or hell) Samuel Beckett and Henry David Thoreau are tipping their coffee cups towards Trevor Juras' The Interior. For a first feature, this film is not only fully realized and confident, but has a deep understanding of the form and medium in which it chooses to tell its tale. Camera movement tells the story, accentuates the comedy, and exudes a show-don't-tell savvy that feels the work of a very experienced filmmaker. Varied meanings, interpretations and musing can be found in this simple story of a man going a bit crazy in the deep woods, but it is difficult to fully reflect upon such things between the comedy and the horror during the film because the experience is so...
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- 7/7/2016
- Screen Anarchy
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