Brad Furman is a competitor. The director of films like the unexpected smash hit “The Lincoln Lawyer” (and, later, the Ben Affleck- and Justin Timberlake-starring disappointment “Runner Runner”) can’t quite pinpoint the source of that motivation — but it’s what’s driven his career since he made his first film, “The Take,” for less than a million dollars way back in 2007.
“I personally feel when somebody tells me I can’t do something, or I’m afraid of something, that’s typically when I dive in,” Furman recently told IndieWire.
The challenges that have pushed Furman haven’t exactly been unique – he’s one of any number of rising directors, mostly male, propelled to big studio features on the strength of one or two smash indie hits – but they have inspired him to do something pretty bold: Return to his indie roots to get films done the...
“I personally feel when somebody tells me I can’t do something, or I’m afraid of something, that’s typically when I dive in,” Furman recently told IndieWire.
The challenges that have pushed Furman haven’t exactly been unique – he’s one of any number of rising directors, mostly male, propelled to big studio features on the strength of one or two smash indie hits – but they have inspired him to do something pretty bold: Return to his indie roots to get films done the...
- 7/13/2016
- by Kate Erbland
- Indiewire
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