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[Tiff Review] Clair Obscur

Life for a woman like Elmas (Ecem Uzun) in Turkey is a living nightmare. An eighteen-year old all but sold to a willing husband (Serkan Keskin‘s Koca) much older than she to clean his house, give her mother-in-law (Sema Poyraz‘s Kaynana) across the hall insulin shots, and — marriage or not — get raped every night, she’s gradually losing her sense of identity and mind. She’s so young and unversed in the world that she makes a game out of folding the sheets atop their bed to see whether a coin will slide from one end to the other without hitting a fold. Elmas’ sole release is watching her neighbor in the adjacent building dance to pop music while sneaking a cigarette on the balcony when no one is looking.

This is the conservative Muslim life we in the western world believe women in the Middle East endure.

See full article on The Film Stage