Paul Schrader has made no secret of his frustrations about interference from the studios or moneymen that fund his films, going so far as to openly protest the release of 2014’s “The Dying of the Light” with a Facebook post in which he declared that the project “Was taken away from me, reedited, scored, and mixed without my input.” Of course, that was hardly Schrader’s first rodeo. A pugnacious poet-warrior whose screenwriting credits includes the likes of “Taxi Driver” and “The Last Temptation of Christ” (and whose occasionally transcendent directorial efforts make those movies look commercial by comparison), he’s never been a big fan of playing things safe. With the bawdy and intoxicatingly batshit “Dog Eat Dog,” Schrader is off the leash once and for all.
And, um, he doesn’t waste any time making that clear. “Dog Eat Dog,” which might be most coherently interpreted as a...
And, um, he doesn’t waste any time making that clear. “Dog Eat Dog,” which might be most coherently interpreted as a...
- 11/4/2016
- by David Ehrlich
- Indiewire
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