Part rejected network pilot, part Michael Crichton-esque what-if, the clumsy, cheap-looking sort-of thriller The Crash presents a very near future in which the U.S. government secretly enlists a white-collar crook from Chicago named Guy Clifton (Frank Grillo) to put together a team of hackers and analysts who can stop an imminent computer attack on the stock market. Whatever fun one might have with this junky premise is neutralized by the fact that the movie has zero narrative momentum. At once oversimplified and overcomplicated—the type of film where shadowy elites cackle sinisterly while meeting at an abandoned carnival in broad daylight—The Crash fumbles between bad diatribe and bad domestic drama, complete with subplots about absent parents and childhood cancer. Only occasionally does writer-director Aram Rappaport remember that what he’s supposed to be making is a bad techno-thriller, the kind where people shout information at each other...
- 1/11/2017
- by Ignatiy Vishnevetsky
- avclub.com
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