The 60th Berlinale successfully premiered the restored version of Rainer Werner Fassbinder’s three-part TV series “World on a Wire.” Now, seven years later, the Festival and the Rainer Werner Fassbinder Foundation offer a special presentation of the newly restored, 478-minute, five-part “Eight Hours Don’t Make a Day,” created in 1972 for Westdeutscher Rundfunk (Wdr) network. The series, Fassbinder’s first for television, and the last of his major works to be restored, “not only established a new genre for German television but also signaled a major new development in the career of a great contemporary filmmaker,” says Juliane Lorenz, president of the Fassbinder Foundation.
Tasked with creating a new type of family series about the life of the working class, the then-27-year-old Fassbinder did away with the conventional separation between private and professional life, achieving a seamless interconnection between domesticity and workplace activity. Lorenz notes, “Alongside themes common...
Tasked with creating a new type of family series about the life of the working class, the then-27-year-old Fassbinder did away with the conventional separation between private and professional life, achieving a seamless interconnection between domesticity and workplace activity. Lorenz notes, “Alongside themes common...
- 2/11/2017
- by Alissa Simon
- Variety - Film News
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