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Nostalgia Ain’T What It Used To Be

Nostalgia just ain’t what it used to be.

When the poster for American Graffiti (1973) asked the question “Where were you in ’62?” it was marketing a trend, spiked by the increasing popularity of the theatrical musical Grease, for audiences of a certain age to look backward to a time when life wasn’t ostensibly so complicated, when your life was still out there waiting to be lived, to a time when America hadn’t yet “lost its innocence.” The demarcation point for that alleged loss is often assigned to the upheaval of grief and national confusion experienced in the wake of the assassination of President John F. Kennedy in November 1963, so it was no accident that the setting for American Graffiti’s night of cruising, romancing and soul-searching was placed a little over a year before that cataclysmic event. The interesting thing about Graffiti was the aggressiveness with which that

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