With Eduardo Casanova‘s visually and conceptually startling debut Skins (aka Pieles) , the question of how John Waters and Pedro Almodóvar’s love child would fare as a filmmaker might just have been answered (high praise in queer film terms, of course). Fierce style, check. Subversive sexuality, check. Gross-out humor, check. Blown-up melodrama, check. Skins is a pointedly shrill, singularly provocative exposé on our relationships to our bodies that will scar some minds, offend many sensibilities, and exhilarate all the rest of us. We spoke with the director about his debut while at Berlinale and one can read the conversation below.
How did you find your way into filmmaking?
I started out as an actor when I was 12 and began making my own shorts at 17, so I practically grew up in the world of cinema. In a way this also relates to Skins since the film came from a need to be understood.
How did you find your way into filmmaking?
I started out as an actor when I was 12 and began making my own shorts at 17, so I practically grew up in the world of cinema. In a way this also relates to Skins since the film came from a need to be understood.
- 3/1/2017
- by Zhuo-Ning Su
- The Film Stage
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