Making his move from editor (Citizen Kane, The Devil and Daniel Webster, and The Magnificent Ambersons) to director in the early 1940s, Robert Wise wasted little time jumping into a variety of arguably B-grade pictures (like the Val Lewton sequel The Curse of the Cat People, the Guy de Maupassant adaptation Mademoiselle Fifi, and back again to Lewton for the marvelous Robert Louis Stevenson tale The Body Snatchers).
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- 3/28/2017
- by Nicholas Bell
- IONCINEMA.com
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