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Edgar Wright takes a detour with “Baby Driver”

You know an Edgar Wright film when you see one. From his signature directorial style to his pop culture heavy writing, he does something truly unique. It’s not a stretch to say that there’s no one else in the industry quite like him. This week, Wright unleashes Baby Driver, which is in equal measure both very much like what’s come before for him and very much something new. Wright is embracing genre in a way that he has never really done before. I saw the film last week and liked it quite a bit, though it’s a flick that I think is a bit overpraised, if we’re being honest. More below. The movie is an action packed one, chock full of music. Young getaway driver Baby (Ansel Elgort) sets everything in his life to music, even the heists he pulls off for Doc (Kevin Spacey

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