An effective horror keeps you unaware of the danger lurking in the shadows. The less you know about what’s coming the better because you don’t want to end up spending your time guessing how the problem will be solved when you should be experiencing its escalating terror. This means filmmakers won’t be able to rely on jump scares to wake audience members up, a staple in mainstream Hollywood genre fare wanting everything spelled out in lieu of atmospheric tension that builds its mythos as it progresses. The task then falls to indie artists with the creative freedom to place their vision onscreen regardless of bottom-line concessions. They can afford to scare with what’s not made visible as opposed to that which is manipulated to shock with brute force.
Gary King’s latest Among Us (formerly Unnerved) is one such example of how creative license almost always...
Gary King’s latest Among Us (formerly Unnerved) is one such example of how creative license almost always...
- 8/7/2017
- by Jared Mobarak
- The Film Stage
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