When Steven Soderbergh is asked about the state of filmmaking, he often points to the American films of the ’60s and ’70s as a counterpoint to the broken state of today’s industry. “The bottom line is that at a certain period in time, from 1966 to 1976, the most successful movies were also the best movies, and that’s just not true anymore,” the director said in a 2014 interview.
Read More:Steven Soderbergh Movies Ranked from Worst to Best
Soderbergh may complain a lot, but he’s never been passive about it. Throughout his career, he has constantly experimented with different ways to make and distribute his films by thinking outside the box and pioneering new technology. With “Logan Lucky,” Soderbergh’s finally fulfilling his plans to launch a self-distribution company capable of releasing a studio-size film, but it’s not the first ambitious effort in a career defined by risky maneuvers.
Read More:Steven Soderbergh Movies Ranked from Worst to Best
Soderbergh may complain a lot, but he’s never been passive about it. Throughout his career, he has constantly experimented with different ways to make and distribute his films by thinking outside the box and pioneering new technology. With “Logan Lucky,” Soderbergh’s finally fulfilling his plans to launch a self-distribution company capable of releasing a studio-size film, but it’s not the first ambitious effort in a career defined by risky maneuvers.
- 8/16/2017
- by Chris O'Falt
- Indiewire
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