Peter Morgan (“The Queen”) has long divided his time between playwriting, screenwriting, and television. But having just wrapped the second 10-episode season for Netflix’s “The Crown” (December 8), the executive producer and showrunner is now wholly devoted to a new genre that he calls “cinematic television.”
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
- 8/21/2017
- by Anne Thompson
- Indiewire
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