Denis Villeneuve and Jóhann Jóhannsson have collaborated three times in the last few years, with the Icelandic composer scoring “Prisoners,” “Sicario,” and “Arrival.” That partnership was meant to continue with “Blade Runner 2049,” but Hans Zimmer and Benjamin Wallfisch eventually took over for Jóhannsson on the long-awaited sequel to Ridley Scott’s sci-fi landmark. After much speculation, Villeneuve has commented on the reason why he chose to go in a different musical direction.
“The thing I will say is that making movies is a laboratory. It’s an artistic process. You cannot plan things. Jóhann Jóhannsson is one of my favorite composers alive today. He’s a very strong artist,” Villeneuve told Al Arabiya English. “But the movie needed something different, and I needed to go back to something closer to Vangelis. Jóhan and I...
“The thing I will say is that making movies is a laboratory. It’s an artistic process. You cannot plan things. Jóhann Jóhannsson is one of my favorite composers alive today. He’s a very strong artist,” Villeneuve told Al Arabiya English. “But the movie needed something different, and I needed to go back to something closer to Vangelis. Jóhan and I...
- 9/30/2017
- by Michael Nordine
- Indiewire
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