There’s a nagging question at the heart of Denis Villenueve’s Blade Runner 2049, and it’s to do with need. Why does Ryan Gosling’s Detective K need a robot wife (Ana de Armas), programmed to speak in a diaphanous lisp? Why does he need an apartment? What purpose is there for a robot to blend in? Everyone in his world can almost smell his oiled gears, his falseness. So why does he need the trappings of reality? Like Twin Peaks: The Return, Blade Runner 2049 has to interrogate its own incongruous existence so many years after the artifact that gave it life first entered the cultural bloodstream. Why does this film exist, beyond the potential box office? Why have writer Hampton Fancher and producer Ridley Scott gone back here? Who needs this? The film seems aware of itself as an automaton theatrical event. It watches itself; taking place behind glass,...
- 10/9/2017
- MUBI
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