What seemed like a novel idea, pairing two of French cinema’s contemporary icons from opposing schools of expression (the dramatically inclined Catherine Deneuve and comic queen Catherine Frot) under the direction of Martin Provost (responsible for the femme-centric period biopics Seraphine and Violette), turns out to be a rather stale endeavor with The Midwife.
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- 10/31/2017
- by Nicholas Bell
- IONCINEMA.com
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