Hong Sang-soo has a reputation for being a tricky interview, and he knows it. In Claire’s Camera, one of his three films that premiered in 2017, a Korean director who’s in Cannes to promote his latest movie tries to back out of the two press engagements on his schedule. “You need to do that much,” his sales agent cajoles him. “It’s not that much.”Hong, likewise, has been known to cancel or reschedule interviews and to give terse and seemingly disinterested answers. He tends to talk about his production methods in the most straight-forward terms and dismisses questions about authorial intent. Asking him to interpret his own work is a fool’s errand. “I get up at 4:00, I smoke, and something I didn’t expect comes to me,” he told me. I met Hong in the bar of the Loews Regency on October 9th, the afternoon after his other two new films,...
- 11/15/2017
- MUBI
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