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‘A Ghost Story’: The Craft of a Low-Budget Indie Shouldn’t Be Forgotten During Awards Season

‘A Ghost Story’: The Craft of a Low-Budget Indie Shouldn’t Be Forgotten During Awards Season

During awards season, craft discussions often focus on films in which large teams of technicians create whole worlds of images, effects, and sounds. However, as we saw last year with “Moonlight,” it’s a mistake to dismiss the craft of a low-budget film.

After making Disney’s “Pete’s Dragon,” director David Lowery wanted to shoot “A Ghost Story” with a small crew of friends, in a small home, and in a limited time period. And yet from composer Daniel Hart’s evocative score that works in perfect harmony with Johnny Marshall’s sound design, to costume designer Annell Brodeur’s remarkable feat of turning a bedsheet into a practical and beautiful ghost costume, the level of below-the-line talent was just as impressive as the small cities of people who made “Dunkirk” and “Blade Runner 2049.”

Possibly the biggest challenges on “A Ghost Story” belonged to Lowery and his cinematographer,

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